Helen, a jittery attorney with a self-destructive streak, is secretly reeling from a disturbing crime of neglect that her parents recently committed. Historically happy to compartmentalize-distracting herself by hooking up with lesbian couples, doting on her grandmother, and flirting with a young administrative assistant-Helen finally meets her match with Catherine and Katrina, a married couple who startle and intrigue her with their ever-increasing sexual and emotional intensity. Perceptive and attentive, Catherine and Katrina prod at Helen's life, revealing a childhood tragedy she's been repressing. When her father begs her yet again for help getting parole, she realizes that she has a bargaining chip to get answers to her past. “A Good Happy Girl” is interested in worlds without men-and women who will do what they can to get what they want. In her exploration of twisted desires, queer domesticity, and the effects of incarceration on the family, Marissa Higgins offers empathy to characters who often don't receive it, with unsettling results.
Ellie Gossage gives an intense and wonderfully introspective performance of this unsettling novel. Helen is lesbian lawyer whose parents have recently been incarcerated for an appalling crime of neglect. She's nearly perfected the art of compartmentalizing her trauma and using sex to distract herself, but she takes it to another level when she becomes involved with an older married couple. Gossage
