AUDIOBOOK
About
A collection of previously unpublished writing culled from the Kerouac archive
Jack Kerouac's archive is vast. Throughout his life he was constantly writing, and he meticulously saved and
catalogued his material. The result is that beyond the work published in his lifetime there has been a rich
stream of posthumous writing that is far from tapped, adding depth to his lifework--the Duluoz Legend--and
our understanding of Kerouac the man. Far from being the adrenalized thrill-seeker that he depicted in On the
Road's Dean Moriarty, Jack himself was deeply spiritual, shy, and reclusive. He sought adventures for the sake
of experience, needing them to fuel his writing, which according to him was his sole reason for living. Few
people sacrificed more for their art.
This collection of previously unpublished writing culled from the Kerouac archive, and as a companion to
Paul Maher Jr.'s Becoming Kerouac, spans Jack's adult life, from a journal written at age seventeen to
autobiographical reflections a few years before his death. Self-Portrait is a blend of fictional and nonfictional
pieces, a few abandoned starts but most complete in themselves and all of them chosen for the revelations
they contain. In The Moon and Sixpence, Somerset Maugham wrote, "A man's work reveals him... No one can
produce the most casual work without disclosing the innermost secrets of his soul." There are more than two
dozen Kerouac biographies, but Self-Portrait reveals the artist in his own words, from his early ambition to
the deep self-examination of his "Self-Ultimacy" period, his three-year struggle to write On the Road, musings
about himself and America in the half-dozen years before the novel was published and then in the aftermath
amid his public withdrawal, suffering from alcoholism and hounded by fame. Through it all there are tortuous
feelings about his family--love, guilt, duty, and betrayal. As fans of Kerouac have come to learn, reading his
work is a visceral probe.
Jack Kerouac's archive is vast. Throughout his life he was constantly writing, and he meticulously saved and
catalogued his material. The result is that beyond the work published in his lifetime there has been a rich
stream of posthumous writing that is far from tapped, adding depth to his lifework--the Duluoz Legend--and
our understanding of Kerouac the man. Far from being the adrenalized thrill-seeker that he depicted in On the
Road's Dean Moriarty, Jack himself was deeply spiritual, shy, and reclusive. He sought adventures for the sake
of experience, needing them to fuel his writing, which according to him was his sole reason for living. Few
people sacrificed more for their art.
This collection of previously unpublished writing culled from the Kerouac archive, and as a companion to
Paul Maher Jr.'s Becoming Kerouac, spans Jack's adult life, from a journal written at age seventeen to
autobiographical reflections a few years before his death. Self-Portrait is a blend of fictional and nonfictional
pieces, a few abandoned starts but most complete in themselves and all of them chosen for the revelations
they contain. In The Moon and Sixpence, Somerset Maugham wrote, "A man's work reveals him... No one can
produce the most casual work without disclosing the innermost secrets of his soul." There are more than two
dozen Kerouac biographies, but Self-Portrait reveals the artist in his own words, from his early ambition to
the deep self-examination of his "Self-Ultimacy" period, his three-year struggle to write On the Road, musings
about himself and America in the half-dozen years before the novel was published and then in the aftermath
amid his public withdrawal, suffering from alcoholism and hounded by fame. Through it all there are tortuous
feelings about his family--love, guilt, duty, and betrayal. As fans of Kerouac have come to learn, reading his
work is a visceral probe.