There were two major influences on Byron's poetry. One was the romantic, which he shared with his friends, Coleridge and Shelley; the other was the eighteenth-century Augustan mode, of which Alexander Pope was the greatest master. Byron's natural facility with rhyme and metre enabled him to be very prolific, and some critics considered that this precocity resulted in a certain shallowness and facile charm. However, much of Byron's verse displays both philosophic and emotional depth, and in his more satirical work he evinces a sharpness of perception characteristic of his poetic hero, Pope. This collection contains a wide range of pieces, demonstrating Byron's versatility in form and expression. Also include is a selection of Byron's letters to colleagues, friends, and lovers, which show the poet in his more revealing and unguarded moments. FOREWORD LYRICS AND OTHER POEMS: NOTHING SO DIFFICULT AS A BEGINNING SO, WE'LL GO NO MORE A ROVING SHE WALKS IN BEAUTY, LIKE THE NIGHT THERE BE NONE OF BEAUTY'S DAUGHTERS COULD LOVE FOR EVER OH, TALK NOT TO ME OF A NAME GREAT IN STORY WHEN WE TWO PARTED THERE WAS A TIME, I NEED NOT NAME BEAUTIFUL SHADOW OF THETIS'S BOY! STANZAS FOR MUSIC SHADOWS OF BEAUTY WHEN THE MOON IS ON THE WAVE THE MONARCH THE RIDER OF THE WIND THE STAR WHICH RULES THY DESTINY AZAZIEL TO FLORENCE : THE NIGHT STORM THROUGH CLOUDLESS SKIES DEAR OBJECT OF DEFEATED CARE! FARE THEE WELL! RIVER, THAT ROLLEST BY THE ANCIENT WALLS ROMAIC SONG TAMBOURGI, TAMBOURGI! MAID OF ATHENS TO TOM MOORE : "MY BOAT IS ON THE SHORE" MANY ARE POETS WITHOUT THE NAME ETERNAL SPIRIT OF THE CHAINLESS MIND! NEWSTEAD ABBEY ("IT STOOD EMBOSOM'D IN A HAPPY VALLEY ") THE BLACK FRIAR CELTIC MEMORIES WHEN I ROVED A YOUNG HIGHLANDER BRIGHT BE THE PLACE OF THY SOUL! TO FLORENCE INSCRIPTION ON A DOG'S MONUMENT CHURCHILL'S GRAVE COULD I REMOUNT THE RIVER OF MY YEARS LAKE LEMAN CLEAR, PLACID LEMAN DRACHENFELS IN THE YEAR SINCE JESUS DIED FOR MEN TIME TO IANTHE CHILDE HAROLD'S FAREWELL A VERY MOURNFUL BALLAD OF ALHAMA OH, SNATCH'D AWAY IN BEAUTY'S BLOOM VISION OF BELSHAZZAR THE DESTRUCTION OF SENNACHERIB BY THE RIVERS OF BABYLON THE EXILES SONG OF SAUL WHEN COLDNESS WRAPS FOR MUSIC POEMS TO AUGUSTA: I.-WHEN ALL AROUND GREW DREAR AND DARK: II-THOUGH THE DAY OF MY DESTINY'S OVER: III.-MY SISTER ! MY SWEET SISTER POEMS TO THYRZA LARA I HAVE NOT LOVED THE WORLD THE ISLES OF GREECE KNOW YE THE LAND ON PARTING PROMETHEUS SUN OF THE SLEEPLESS ROME THE DYING GLADIATOR FREEDOM ODE TO NAPOLEON TO TIME VENICE SATIRICAL AND OCCASIONAL VERSE: WRITTEN AFTER SWIMMING FROM SESTOS ON LORD THURLOW'S POEMS VERSICLES EPIGRAMS EASY WRITING, EASY READING AUTHORS AND WOULD-BE WITS BOB SOUTHEY WHO KILL'D JOHN KEATS ? POETICAL COMMANDMENTS ENGLAND! WITH ALL THY FAULTS I LOVE THEE STILL SHALL NOBLE ALBION PASS WITHOUT A PHRASE? 'TWAS THE ARCHANGEL MICHAEL "WHERE IS THE WORLD?" FREEDOM THE END OF FAME LINES IN A CUP FORMED FROM A SKULL THE BANQUET AND PETER PITH EPISTLE TO MR. MURRAY ODE TO MR. MURRAY THE LONDON ROAD ON BOARD THE LISBON PACKET FAREWELL TO MALTA TO TOM LITLE FRAGMENT OF AN EPISTLE TO TOM MOORE BYRON'S FAREWELL LETTERS: TO DEAR QUEEN BESS (MISS PIGOT) 11/06/1807 TO MISS PIGOT (from CAMBRIDGE) 05/07/1807 TO MISS PIGOT (from LONDON) 11/08/1807 TO HIS MOTHER 6/03/1809 TO FRANCIS HODGSON (AT FALMOUTH) 25/06/1809 TO FRANCIS HODGSON (AT LISBON) 16/07/1809 TO HIS MOTHER (In Albania) 12/11/1809 TO FRANCIS HODGSON (In the Morea) 3/10/1810 TO ROBERT C. DALLAS (At Sea) 28/06/1811 TO SCROPE DAVIES (At Newstead Abbey) 7/08/1811 TO ROBERT C. DALLAS (At Newstead Abbey) 12/08/1811 TO TOM MOORE (in London) 22/06/1813 TO TOM MOORE (in London) 2/10/1813 TO JOHN MURRAY At Newstead Abbey) 22/01/1814 TO TOM MOORE (In London) 9/04/1814 TO TOM MOORE (At Newstead Abbey) 20/09/1814 TO TOM MOORE (Canine Recollections) 19/01/1815 TO TOM MOORE (At Seaham: A Sad Song) 2/03/1815 TO TOM MOORE (In London: Sheridan) 31/10/1815 TO JOHN MURRAY (At Ouchy, near Lausanne) 27/06/1816 TO JOH