All of the plays centre on Wawel Hill: the legendary seat of royal and ecclesiastical power in the poet's native city, the ancient capital of Poland. In these plays, Wyspiański explores the foundational myths of his nation: that of the self-sacrificial Wanda, and the struggle between King Bolesław the Bold and Bishop Stanisław Szczepanowski. In the eponymous play, which brings the cycle to an end, Wyspiański carefully considers the value of myth to a nation without political autonomy, soaring in thought into an apocalyptic vision of the future. Richly illustrated with the poet's artwork, Acropolis: The Wawel Plays also contains Wyspiański's architectural proposal for the renovation of Wawel Hill, and a detailed critical introduction by the translator. In its plaited presentation of Bolesław the Bold and Skałka, the translation offers, for the first time, the two plays in the unified, composite format that the poet intended, but was prevented from carrying out by his untimely death.
