Bertolt Brecht, perhaps the most important dramatist/director/theorist of the twentieth century, is still widely studied and his plays and theories remain staples in the curricula of university theatre departments, literature departments, and theatre-artist training programs throughout the world. Additionally, productions of Brecht's dramas continue to be popular. The play “Brecht in L.A. focuses” on Brecht's life in America, where he resided from 1941 through 1947.
“Brecht in L.A.”, centering on Brecht while adapting/critiquing Brechtian dramatic form, also provides a unique opportunity for the instructor who is teaching Brechtian theatre since-with just one text (which will includes endnotes and appendices)-the instructor can cover epic theatre, the "Brecht debate," Brecht's biography, and contradictions between Brecht's theatrical practices and his everyday life.
The book's wide-ranging audience will include theatre artists; playgoers; students of drama, theatre, English, and performance studies; scholars; and readers interested in Brecht, Hollywood, and/or biography.
