EBOOK

City of Angels

or, The Overcoat of Dr. Freud / A Novel

Christa Wolf
(0)
Pages
336
Year
2013
Language
English

About

Three-years after the fall of the Berlin Wall, the writer Christa Wolf was granted access to her newly declassified Stasi files. Known for her defiance and outspokenness, Wolf was not especially surprised to discover forty-two volumes of documents produced by the East German secret police. But, what was surprising was a thin green folder whose contents told an unfamiliar-and disturbing-story: in the early 1960s, Wolf herself had been an informant for the Communist government. And yet, thirty years on, she had absolutely no recollection of it.

Wolf's extraordinary autobiographical final novel is an account of what it was like to reckon with such a shocking discovery. Based on the year she spent in Los Angeles after these explosive revelations, City of Angels is at once a powerful examination of memory and a surprisingly funny and touching exploration of L.A., a city strikingly different from any Wolf had ever visited.

Even as she reflects on the burdens of twentieth-century history, Wolf describes the pleasures of driving a Geo Metro down Wilshire Boulevard and watching episodes of Star Trek late at night. Rich with philosophical insights, personal revelations, and vivid descriptions of a diverse city and its citizens, City of Angels is a profoundly humane and disarmingly honest novel-and a powerful conclusion to a remarkable career in letters.

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Reviews

"Wolf's ability to create layers of meaning in a peripatetic structure across three, sometimes four, different time periods is astounding . . . Damion Searls has done a knockout job here. The prose is lovely but invisible in the reading, which is exactly what it should be."
Sarah Gerard, Three Percent
"[Wolf's] quest for personal integrity within a flawed system, and the honesty of her prose, cannot help but impress."
The Economist
"Engrossing . . . the book aptly captures Wolf's tortured state of mind at a critical juncture -- the moment she is forced to ponder her complicity, albeit largely harmless, with a criminal regime and the collapse of everything she once believed in."
Joshua Hammer, The New York Times

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