Creating meaningful images goes beyond technique but does not exclude it as a relevant component of this composition. There are spaces for dialogues about image production to take place. I do not intend to exhaust any subject but to understand that the creation of thought is intimately related to the production of images, that is why I propose to be a deep place of connections, reflections and, most importantly, movement. I don't see photography as a visual end but rather as a manner of expression, alive, questioning and producing. The image does not have a prior meanings — it is built from our relationship with the world and how we project this in the photographs we read. That is why thinking of photography as a place of dialogue, education and problematization is fundamental not only to deepen the studies with the tool but mainly to the reasoning of what we want to build with it.
