Skip to main content
Books, videos, and music - all free from your public library!
LoginSign Up

Footer

Hoopla logo, Go to homepage
  • For Patrons
  • For Libraries (opens in new window)
  • For Vendors (opens in new window)
  • Facebook (opens in new window)
  • X (opens in new window)
  • Instagram (opens in new window)
  • YouTube (opens in new window)
  • TikTok (opens in new window)
  • LinkedIn (opens in new window)

Our Company

  • Our Story
  • Get Hoopla for your Library (opens in new window)
  • Get your content on hoopla (opens in new window)
  • Join our team (opens in new window)
  • Accessibility Statement

Our Content

  • Audiobooks
  • Ebooks
  • Movies
  • Television
  • Comics
  • BingePasses
  • Music
  • The Loop Blog

Help

  • Help Center
  • Submit Feedback
  • Facebook (opens in new window)
  • X (opens in new window)
  • Instagram (opens in new window)
  • YouTube (opens in new window)
  • TikTok (opens in new window)
  • LinkedIn (opens in new window)
  • Download on the App Store (opens in new window)
  • Get it on Google Play (opens in new window)
  • Available at Amazon Appstore (opens in new window)
© 2026 Midwest Tape, LLC. All rights reserved. Privacy Policy | Terms of Use
  • Hoopla logo
    Powered by Hoopla
  • Browse
  • My Hoopla
  • Log In
  1. Navigate Home
  2. Ebooks
  3. O

EBOOK

O

Apostrophic Ghosts And The Disappearing Acts Of Lyric Poetry

David Ben-MerreSeries: SUNY, Literature... in Theory
(0)
sign up
Pages
310
Year
2025
Language
English
Publisher
State University of New York Press

About

Considers how a series of poets reimagined the possibilities of "O" as a gesture of apostrophe and, even more so, of writing.
In poetry circles, "O" is commonly associated with apostrophe-a dramatized turn to call out to an absent friend or idea. This call, however, is made possible by a graphic sign it pretends not to acknowledge. O follows poets who were rethinking the apostrophic "O" alongside its symbolic, iconic, and material forms. Organized conceptually rather than chronologically, the book explores how works by W. B. Yeats, Wallace Stevens, Elizabeth Bishop, James Merrill, Emily Dickinson, and Terrance Hayes, as well as the singer-songwriter Carly Simon and the band The Cure, each turn at deeply human moments to call forth an alternative to the present. Culminating in an experimental epilogue cowritten with the Romanticist scholar Manu Samriti Chander, O engages with ongoing, sometimes excessive debates about lyric poetry and literary critical method, finding modest ground between their respective sides.

Related Subjects

  • Poetry
  • Literary Criticism
  • Adult Nonfiction
  • 20th Century
  • Modern
  • 19th Century
  • 21st Century
  • Deconstruction
  • Movements
  • Philosophy

Extended Details

  • SeriesSUNY, Literature... in Theory

    Artists

    David Ben-MerreAuthor