An enchanting story of twins, fame, and heartache by the much-praised author of Lullabies for Little Criminals
Heather O'Neill charmed readers in the hundreds of thousands with her sleeper hit, Lullabies for Little Criminals, which documented with a rare and elusive magic the life of a young dreamer on the streets of Montreal. Now, in The Girl Who Was Saturday Night, she returns to the grubby, enchanted city with a light and profound tale of the vice of fame and the ties of family.
Nineteen years old, free of prospects, and inescapably famous, the twins Nicolas and Nouschka Tremblay are trying to outrun the notoriety of their father, a French-Canadian Serge Gainsbourg with a genius for the absurd and for winding up in prison. "Back in the day, he could come home from a show with a paper bag filled with women's underwear. Outside of Québec nobody had even heard of him, naturally. Québec needed stars badly."
Since the twins were little, Étienne has made them part of his unashamed seduction of the province, parading them on talk shows and then dumping them with their decrepit grandfather while he disappeared into some festive squalor. Now Étienne is washed up and the twins are making their own almost-grown-up messes, with every misstep landing on the front pages of the tabloid Allo Police. Nouschka not only needs to leave her childhood behind; she also has to leave her brother, whose increasingly erratic decisions might take her down with him.
"A marvelously intriguing novel of a family in dissolution, each member of which is richly and memorably characterized. . . . The book is beautifully written, particularly rich in simile and metaphor . . . Compulsively readable, The Girl Who Was Saturday Night is a delight for any night."
Michael Cart, Booklist (starred review)
"O'Neill's language . . . is what I find so beguiling about her work. Similes blow up the ordinary. Hyperbole extends throughout . . . O'Neill exceeds at inventing a place where magic really happens, where the mundane came become extraordinary."
Liz Fischer Greenhill, The Rumpus
"What really shines here is O'Neill's writing. The author stuns with the vivid descriptions and metaphors that are studded throughout the book . . . O'Neill's writing grows ever more distinct and direct."
