- 1
Beethoven: Symphony No. 3 In E Flat, Op. 55 -"Eroica" - 1. Allegro con brio
14:39 - 2
Beethoven: Symphony No. 3 In E Flat, Op. 55 -"Eroica" - 2. Marcia funebre (Adagio assai)
17:47 - 3
Beethoven: Symphony No. 3 In E Flat, Op. 55 -"Eroica" - 3. Scherzo (Allegro vivace)
5:39 - 4
Beethoven: Symphony No. 3 In E Flat, Op. 55 -"Eroica" - 4. Finale (Allegro molto)
12:10 - 5
Beethoven: Musical Analysis (Bernstein On Beethoven´s Symphony No. 3, Op. 55, "Eroica") - "Simplicity Itself..." (1st Movement)
13:25 - 6
Beethoven: Musical Analysis (Bernstein On Beethoven´s Symphony No. 3, Op. 55, "Eroica") - "I Always Feel This Gigantism" (2nd Movt.)
6:07 - 7
Beethoven: Musical Analysis (Bernstein On Beethoven´s Symphony No. 3, Op. 55, "Eroica") - "We Have Just Been Examining..." (3rd Movt.)
5:26 - 8
Beethoven: Musical Analysis (Bernstein On Beethoven´s Symphony No. 3, Op. 55, "Eroica") - "All That We Have Said" (4th Movt.)
9:12 - 9
Beethoven: Musical Analysis (Bernstein On Beethoven´s Symphony No. 3, Op. 55, "Eroica") - "The Study Of The Eroica Is A Lifetime Work,..."
1:06 - 10
Dvořák: Symphony No. 9 In E Minor, Op. 95 "From The New World", B.178 - 1. Adagio - Allegro molto
8:52 - 11
Dvořák: Symphony No. 9 In E Minor, Op. 95 "From The New World", B.178 - 2. Largo
13:33 - 12
Dvořák: Symphony No. 9 In E Minor, Op. 95 "From The New World", B.178 - 3. Scherzo (Molto vivace)
7:16 - 13
Dvořák: Symphony No. 9 In E Minor, Op. 95 "From The New World", B.178 - 4. Allegro con fuoco
11:26 - 14
Dvořák: Musical Analysis: Bernstin On Dvorák, Symphony No. 9, Op. 95, "From The New World", B.178 - 1. "Does This Music Sound Like The New World To You?" (3rd Movt., Trio II; 1st Movt.)
9:52 - 15
Dvořák: Musical Analysis: Bernstin On Dvorák, Symphony No. 9, Op. 95, "From The New World", B.178 - 2. "We Come Now To The Second Movement, Which Has A Charming Melody, ..." (2nd Movt.)
3:22 - 16
Dvořák: Musical Analysis: Bernstein On Dvorák, Symphony No. 9, Op. 95, "From The New World", B.178 - 3. "The Third Movement Is A Marvel Of Ingenuity And Deftness" (3rd Movt.)
1:40 - 17
Dvořák: Musical Analysis: Bernstein On Dvorák, Symphony No. 9, op.95, "From The New World", B.178 - 4. "And Now The Last Movement. In General I Should Say That This Is The Most Slavic Of All" (4th Mov
5:00 - 18
Dvořák: Musical Analysis: Bernstein On Dvorák, Symphony No. 9, Op. 95, "From The New World", B.178 - 5. "The Final Claim Of Those Who Argue For The New World Symphony As American Music, ..." (4th Movt
1:01 - 19
Schumann: Symphony No. 2 In C, Op. 61 - I. Sostenuto assai – Allegro ma non troppo
12:27 - 20
Schumann: Symphony No. 2 In C, Op. 61 - II. Scherzo. Allegro vivace
6:58 - 21
Schumann: Symphony No. 2 In C, Op. 61 - III. Adagio espresssivo
11:53 - 22
Schumann: Symphony No. 2 In C, Op. 61 - IV. Allegro molto vivace
8:14 - 23
Musical Analysis: Bernstein On Schumann, Symphony No. 2, Op. 61 - I. "Robert Schumann Has Been Dead..." (3rd Movement, Opening Theme)
4:22 - 24
Musical Analysis: Bernstein On Schumann, Symphony No. 2, Op. 61 - II. "To My Mind Schumann Follows in This Tradition"
1:48 - 25
Musical Analysis: Bernstein On Schumann, Symphony No. 2, Op. 61 - III. "Now Let´s Look at the Symphony Itself" (1st Movement)
8:39 - 26
Musical Analysis: Bernstein On Schumann, Symphony No. 2, Op. 61 - IV. "And So We Have Arrived at the Allegro Section..." (1st Movement Cont.)
6:51 - 27
Musical Analysis: Bernstein On Schumann, Symphony No. 2, Op. 61 - V. "In The Marvellous Scherzo That Follows..." (2nd Movement)
4:49 - 28
Musical Analysis: Bernstein On Schumann, Symphony No. 2, Op. 61 - VI. "But Perhaps the Greatest Beauty..." (3rd Movement)
7:31 - 29
Musical Analysis: Bernstein On Schumann, Symphony No. 2, Op. 61 - VII. "Even in the Final Movement" (4th Movement)
5:15 - 30
Brahms: Symphony No. 4 In E Minor, Op. 98 - 1. Allegro non troppo
11:51 - 31
Brahms: Symphony No. 4 In E Minor, Op. 98 - 2. Andante moderato
11:53 - 32
Brahms: Symphony No. 4 In E Minor, Op. 98 - 3. Allegro giocoso - Poco meno presto - Tempo I
6:07 - 33
Brahms: Symphony No. 4 In E Minor, Op. 98 - 4. Allegro energico e passionato - Pi allegro
10:49 - 34
Brahms: Musical Analysis: Bernstein On Brahms, Symphony No. 4, Op. 98, First Movement - 1. "Brahms´ Fourth Symphony In E Minor Is Today ..." (4th Movt., Opening Theme)
4:45 - 35
Brahms: Musical Analysis: Bernstein On Brahms, Symphony No. 4, Op. 98, First Movement - 2. "Our Journey Begins Without Introduction..."
5:15 - 36
Brahms: Musical Analysis: Bernstein On Brahms, Symphony No. 4, Op. 98, First Movement - 3. "Do You See Now What A Symphonic Theme Is?"
3:23 - 37
Brahms: Musical Analysis: Bernstein On Brahms, Symphony No. 4, Op. 98, First Movement - 4. "Now, Think Of It - We Have So Far Only Had 44 Bars Of Music"
5:47 - 38
Brahms: Musical Analysis: Bernstein On Brahms, Symphony No. 4, Op. 98, First Movement - 5. "Here Is That Second Theme"
2:42 - 39
Brahms: Musical Analysis: Bernstein On Brahms, Symphony No. 4, op.98, First Movement - 6. "This Brings Us To The Development Section Proper"
9:34 - 40
Brahms: Musical Analysis: Bernstein On Brahms, Symphony No. 4, Op. 98, First Movement - 7. And Here We Are Back Home, Ready For The Rehearing Of The Exposition, ..."
2:17 - 41
Brahms: Musical Analysis: Bernstein On Brahms, Symphony No. 4, Op. 98, First Movement - 8. "So We Arrive At The Coda"
3:18 - 42
Brahms: Musical Analysis: Bernstein On Brahms, Symphony No. 4, Op. 98, First Movement - 9. "Well, We Have Had A Microscopic Look At Symphonic Method"
2:12 - 43
Tchaikovsky: Symphony No. 6 in B Minor, Op. 74 "Pathétique" - I. Adagio – Allegro non troppo
18:43 - 44
Tchaikovsky: Symphony No. 6 in B Minor, Op. 74 "Pathétique" - II. Allegro con grazia
8:14 - 45
Tchaikovsky: Symphony No. 6 in B Minor, Op. 74 "Pathétique" - III. Scherzo. Allegro molto vivace
9:08 - 46
Tchaikovsky: Symphony No. 6 in B Minor, Op. 74 "Pathétique": IV. Finale – Adagio lamentoso
11:17 - 47
Tchaikovsky: Musical Analysis: Bernstein on Tchaikovsky's Symphony No. 6, Op. 74 "Pathétique" - I. "Now There Is A Melody, A Pure Orchestral Song..." (1st Movt.)
9:18 - 48
Tchaikovsky: Musical Analysis: Bernstein on Tchaikovsky's Symphony No. 6, Op. 74 "Pathétique" - 2. "Now The Development Section Erupts..." (1st Movt. Cont.)
1:58 - 49
Tchaikovsky: Musical Analysis: Bernstein on Tchaikovsky's Symphony No. 6, Op. 74 "Pathétique" - 3. "Now One Would Think That Tchaikovsky Had Really Exploited the Device of Scales" (2nd Movt)
1:56 - 50
Tchaikovsky: Musical Analysis: Bernstein on Tchaikovsky's Symphony No. 6, Op. 74 "Pathétique" - 4. "Jumping Now to the Famous Third Movement, The Great March..." (3rd Movt.)
1:50 - 51
Tchaikovsky: Musical Analysis: Bernstein on Tchaikovsky's Symphony No. 6, Op. 74 "Pathétique" - 5. "Perhaps the Most Admirable Example of This Is To Be Found in the Wonderful Last Movement, ..." (4th
3:41 - 52
Tchaikovsky: Musical Analysis: Bernstein on Tchaikovsky's Symphony No. 6, Op. 74 "Pathétique" - 6. "Now I Don´t Want To Give You the Impression That Scales Are the Only Unifying Force in This Work"
6:01
