- 1
Introduction
0:07 - 2
3 Sarabandes: No. 2, "à Maurice Ravel" (Excerpt)
1:03 - 3
On 16 January 1911, French Composer Maurice Ravel…
8:16 - 4
Gnossiennes: No. 3, Lent (Excerpt)
1:41 - 5
An Extract from the Third Movement of Satie's Gnossiennes…
6:14 - 6
Valse-Ballet (Excerpt)
1:27 - 7
The Valse-Ballet Was Not Only Satie's First Substantial Piece…
2:36 - 8
4 Ogives: No. 1, Première Ogive
1:45 - 9
In November 1886, Satie Left the Conservatoire…
3:12 - 10
3 Gymnopédies: No. 3, Lent et grave (Arr. C. Debussy for Orchestra) [Excerpt]
0:59 - 11
In the Spring of 1890, Satie Moved Higher Up…
3:50 - 12
3 Sonneries de la Rose+Croix: No. 1, Air de l'ordre (Version for Piano) [Excerpt]
1:35 - 13
On 14 August 1892, After a Short but Intense Period…
3:11 - 14
Vexations (Excerpt)
1:22 - 15
Satie's Outward Appearance Was Soon to Change…
4:15 - 16
3 Morceaux en forme de poire (Excerpt)
0:45 - 17
The Pear Pieces, Finished in November 1903…
1:45 - 18
En habit de cheval: No. 2, Fugue litanique (Excerpt)
1:16 - 19
1911, of Course, Was the Year of the Breakthrough Concert…
3:57 - 20
Sports et divertissements: No. 1, Choral inappétissant
0:42 - 21
The Commission of Sports et divertissements…
2:01 - 22
Parade: IV. Petite fille américaine (Excerpt)
2:35 - 23
There Was Quite a Commotion at Parade's Premiere…
4:05 - 24
Musique d'ameublement, Set 1: No. 1, Tapisserie en fer forgé (Arr. for Piano 4 Hands)
1:25 - 25
Curiously, the Function of Satie's Musique d'ameublement…
3:12 - 26
Mercure, Scene 3: Le Chaos
0:35 - 27
Mercure, Like Parade, Created Quite a Stir on Its Premiere…
3:42 - 28
Relâche, Act I: Cinéma (Excerpt)
1:15 - 29
In a Sense, Critics' Response to Relâche…
2:40 - 30
Relâche, Act II: Petite danse finale; La queue du chien (Excerpt)
0:34
