- 1
Introduction
0:09 - 2
Brandenburg Concerto No. 2 in F Major, Bwv 1047: I. Allegro (Excerpt)
1:11 - 3
Hurtling Through Interstellar Space
10:23 - 4
Prelude in C Major, BuxWV 137: I. Prelude - II. Fugue (Excerpt)
1:14 - 5
After the Street Brawl and the Trip to See Buxtehude
6:38 - 6
Toccata & Fugue in F Major, BWV 540: I. Toccata (Excerpt)
0:57 - 7
Yet Buxtehude and the Northern German Musical Culture
3:23 - 8
Organ Concerto in C Major, BWV 594 (Excerpt)
0:49 - 9
Historians Have Argued That the Lesson Bach Learned
6:19 - 10
Double Violin Concerto in D Minor, BWV 1043: II. Largo, ma non tanto (Excerpt)
1:34 - 11
During Bach's Nearly Six Years at Köthen
2:30 - 12
The Well-Tempered Clavier, Book 1, Prelude & Fugue No. 24 in B Minor, BWV 869: II. Fugue (Excerpt)
1:27 - 13
The Second Köthen Composition That Has Come To Define
3:07 - 14
Brandenburg Concerto No. 3 in G Major, BWV 1048: I. - (Excerpt)
0:35 - 15
However Productive Bach May Have Been at Köthen
6:32 - 16
St. Matthew Passion, BWV 244, Pt. 2: No. 39, Erbarme dich, mein Gott, um meiner Zähren Willen (Excerpt)
1:29 - 17
Bach's Musical Activities in the Years Following
3:20 - 18
Piano Concerto No. 1 in D Minor, BWV 1052: I. Allegro (Excerpt)
0:54 - 19
As Well as Its Regular Weekly Concerts
5:41 - 20
Musikalisches Opfer, Op. 6, BWV 1079: Sonata à 3, Allegro (Excerpt)
0:50 - 21
Despite Bach's Travelling and Various Guest Appearances
1:56 - 22
The Art of Fugue, BWV 1080: Contrapunctus inversus XII à 4 (Excerpt)
0:55 - 23
As Well as Exhibiting Bach's Penchant for the Theoretical Aspect
1:07 - 24
Mass in B Minor, BWV 232: Dona nobis pacem (Excerpt) [1]
0:53 - 25
We Know of Nothing That Bach Composed After This Movement
2:36 - 26
Mass in B Minor, BWV 232: Dona nobis pacem (Excerpt) [2]
1:03
