German Jewish Cultures

A book that "could serve as an effective introduction to German history, biblical studies and modern nationalism, among other fields" (German History). As German scholars, poets, and theologians searched for the origins of the ancient Israelites, Ofri Ilany believes, they created a model for nationalism that drew legitimacy from the biblical idea of the Chosen People. In this broad exploration of eighteenth-century Hebraism, Ilany tells the story of the surprising role that this model played in discussions of ethnicity, literature, culture, and nationhood among the German-speaking intellectual elite. He reveals the novel portrait they sketched of ancient Israel and how they tried to imitate the Hebrews while forging their own national consciousness. This sophisticated and lucid argument sheds new light on the myths, concepts, and political tools that formed the basis of modern German culture.

This study "brings to life a circle of writers and composers, with analyses of their major, minor... and forgotten works of Jewish music theater" (Abigail Gillman, author of Viennese Jewish Modernism). During the mid-19th century, the works of Arthur Schopenhauer and Richard Wagner sparked an impulse toward German cultural renewal and social change that drew on religious myth, metaphysics, and spiritualism. The only problem was that their works were deeply antisemitic and entangled with claims that Jews were incapable of creating compassionate art. By looking at the works of Jewish composers and writers who contributed to a lively and robust biblical theatre in fin de siècle Vienna, Caroline A. Kita shows how they reimagined myths of the Old Testament to offer new aesthetic and ethical views of compassion. These Jewish artists, including Gustav Mahler, Siegfried Lipiner, Richard Beer-Hofmann, Stefan Zweig, and Arnold Schoenberg, reimagined biblical stories through the lens of the modern Jewish subject to plead for justice and compassion toward the Jewish community. By tracing responses to antisemitic discourses of compassion, Kita reflects on the explicitly and increasingly troubled political and social dynamics at the end of the Habsburg Empire.

How did German Jews present their claims for equality to everyday Germans in the first half of the nineteenth century? We Will Never Yield offers the first English-language study of the role of the German press in the fight for Jewish agency and participation during the 1840s. David Meola explores how the German press became a key venue for public debates over Jewish emancipation; religious, educational, and occupational reforms; and the role of Jews in German civil society, even against a background of escalating violence against the Jews in Germany. We Will Never Yield sheds light on the struggle for equality by German Jews in the 1840s and demonstrates the value of this type of archival source of Jewish voices that has been previously underappreciated by historians of Jewish history.

In Making German Jewish Literature Anew, Katja Garloff traces the emergence of a new Jewish literature in Germany and Austria from 1990 to the present. The rise of new generations of authors who identify as both German and Jewish, and who often sustain additional affiliations with places such as France, Russia, or Israel, affords a unique opportunity to analyze the foundational moments of diasporic literature. Making German Jewish Literature Anew is structured around a series of founding gestures: performing authorship, remaking memory, and claiming places. Garloff contends that these founding gestures are literary strategies that reestablish the very possibility of a German Jewish literature several decades after the Holocaust. Making German Jewish Literature Anew offers fresh interpretations of second-generation authors such as Maxim Biller, Doron Rabinovici, and Barbara Honigmann as well as of third-generation authors, many of whom come from Eastern European and/or mixed-religion backgrounds. These more recent writers include Benjamin Stein, Lena Gorelik, and Katja Petrowskaja. Throughout the book, Garloff asks what exactly marks a given text as Jewish-the author's identity, intended audience, thematic concerns, or stylistic choices-and reflects on existing definitions of Jewish literature.

In this rich transnational history, Cornelia Aust traces Jewish Ashkenazi families as they moved across Europe and established new commercial and entrepreneurial networks as they went. Aust balances economic history with elaborate discussions of Jewish marriage patterns, women's economic activity, and intimate family life. Following their travels from Amsterdam to Warsaw, Aust opens a multifaceted window into the lives, relationships, and changing conditions of economic activity of a new Jewish mercantile elite.

Animal, Vegetal, Marginal explores the oft-forgotten yet provocative German genre of die Groteske, or the literary grotesque. This short prose form challenges the norms of being human and being accepted as such by society in exaggerated and satirical ways. Between the Kaiser's and Hitler's Reichs, the genre's irreverent comedy and criticism sold out cabarets, drew droves of radio listeners, and created bestsellers. Yet, because its authors were ruthlessly censored and persecuted, die Groteske is virtually unknown today and neglected by scholarship. Joela Jacobs examines the development and influence of the genre on some of its leading exponents, including Oskar Panizza, Hanns Heinz Ewers, Salomo Friedlaender, and Franz Kafka. “Animal, Vegetal, Marginal” is the first full-length study of the genre and shows how its portrayals of marginalized and nonhuman perspectives mounted resistance against the rise of the biopolitical structures underpinning nationalism, racism, and antisemitism.

In Yiddish Writers in Weimar Berlin, Marc Caplan explores the reciprocal encounter between Eastern European Jews and German culture in the days following World War I. By concentrating primarily on a small group of avant-garde Yiddish writers-Dovid Bergelson, Der Nister, and Moyshe Kulbak-working in Berlin during the Weimar Republic, Caplan examines how these writers became central to modernist aesthetics. By concentrating on the character of Yiddish literature produced in Weimar Germany, Caplan offers a new method of seeing how artistic creation is constructed and a new understanding of the political resonances that result from it. Yiddish Writers in Weimar Berlin reveals how Yiddish literature participated in the culture of Weimar-era modernism, how active Yiddish writers were in the literary scene, and how German-speaking Jews read descriptions of Yiddish-speaking Jews to uncover the emotional complexity of what they managed to create even in the midst of their confusion and ambivalence in Germany. Caplan's masterful narrative affords new insights into literary form, Jewish culture, and the philosophical and psychological motivations for aesthetic modernism.

This "fascinating, original, well-researched, and persuasively argued work" examines the phenomenon of co-ethnic migration in Israel and Germany (Sebastian Conrad, author of What Is Global History?). Co-ethnic migration happens when migrants seek admission to a country based on their purported ethnicity or nationality being the same as the country of destination. In The Unchosen Ones, social historian Jannis Panagiotidis looks at legislation and implementation regarding co-ethnic migration in Germany and Israel. This study focuses on individual cases ranging from after the Second World War to after the fall of the Berlin Wall where migrants were not allowed to enter the country they sought to make their home. These rejections confound notions of an "open door" or a "return to the homeland" and present contrasting ideas of descent, culture, blood, and race. Questions of historical origins, immigrant selection and screening, and national belonging are deeply ambiguous, complicating migration even in nations that are purported to be ethnically homogenous. Through highly original and illuminating analysis, Panagiotidis shows that migration is never a simple matter of moving from place to place.

A biography of the German Jewish judge and lawyer who survived the Holocaust, brought the Nazis to justice, and fought for the rights of homosexuals. German Jewish judge and prosecutor Fritz Bauer (1903—1968) played a key role in the arrest of Adolf Eichmann and the initiation of the Frankfurt Auschwitz trials. Author Ronen Steinke tells this remarkable story while sensitively exploring the many contributions Bauer made to the postwar German justice system. As it sheds light on Bauer's Jewish identity and the role it played in these trials and his later career, Steinke's deft narrative contributes to the larger story of Jewishness in postwar Germany. Examining latent antisemitism during this period as well as Jewish responses to renewed German cultural identity and politics, Steinke also explores Bauer's personal and family life and private struggles, including his participation in debates against the criminalization of homosexuality-a fact that only came to light after his death in 1968. This new biography reveals how one individual's determination, religion, and dedication to the rule of law formed an important foundation for German post war society.