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Mary Edna Fraser has taken the art of batik to otherworldly heights. An internationally renowned artist, Fraser has had works grace galleries, museums, and public buildings throughout the United States-creating wonder, awe, and an awareness of the environment around us as few artists have had the talent and vision to manage. Using fabric, wax, and dye, Fraser has transformed the techniques of batik from its ancient origins and forged new panoramas and vistas of our unique planet from the sky above us to the ground beneath our feet, and even down to the evocative landscapes that sprawl across the ocean floor. These images not only astonish us with their allure; they also remind of us of our place in the world and our responsibility to respect and care for it. Part history and guide to the challenging techniques of this form, The Batik Art of Edna Fraser affords not only a full-color introduction to Fraser's stunning perceptions of the glaciers, icebergs, coastlines, atmospheres, mountains, and rivers that grace our globe, but gives us an intimate look at the artist at work and the philosophies that guide her singular imagination as well. Bold, beautiful, thoughtful, and always visceral, Fraser's art invites us outside to see with new eyes the horizons that surround us-and inside to see ourselves in our inextricable connection with the land, the seas, the skies, the earth, as we are woven together as one in the fabric of our existence on this, our home, the vibrant blue planet hurtling through space and time.

A View from the South: The Narrative Art of Boyd Saunders is the first comprehensive examination of the life and art of one of America's premier printmakers. In this celebration of an enduring and widely acclaimed career as an artist, Thomas Dewey II chronicles Saunders's work not only as a printmaker, but also as a painter, sculptor, illustrator, author, educator, amateur musician, and sometimes horseman. With great care Dewey exposes the common thread that runs through Saunders's visual expressions: his intriguing tales that reveal his heartfelt devotion to the people and places of the American South. Dewey has captured Saunders's life story through intensive research as well as via a series of interviews with the artist over several years. Details of Saunders's early life on a West Tennessee farm and his family's long attachment to the land document a profound influence on his life, outlook, and art. But Saunders was also moved by literature-namely that of William Faulkner, whom he met while earning a master's of fine art at the University of Mississippi. Saunders credits Faulkner with inspiring much of his work, demonstrated in his Spotted Horses, a limited volume of lithographs illustrating Faulkner's short story of the same name, which was published by the University of South Carolina Press in 1989. Now a distinguished professor emeritus of the University of South Carolina, Saunders founded its Art Department's printmaking program as well as a southern printmaker's organization called the Southern Graphics Council. In the more than forty years since its founding the organization, now called SGC International, it has grown well beyond its southern borders and now serves twenty-five hundred members worldwide. A View from the South features more than 120 color images showcasing the themes, ideas, and techniques Saunders has used in his paintings, drawings, prints, sculptures, etchings, lithographs, and woodcuts. His art is exhibited throughout the world and is included in many private and public collections, including the Boston Public Library, the U. S. Wildlife Collection in Washington, D. C., and Shanxi University collection in China. A foreword is provided by Charles R. Mack, professor emeritus of art history at the University of South Carolina.