How to Write Best-Selling Fiction

Looking at examples from writers including John Grisham, Michael Connelly, George Pelecanos, J. D. Salinger, Suzanne Collins, Thomas Harris, and more, Mr. Bell analyzes first what makes a novel, and then, what makes a novel successful. He also provides his own insights by exploring the role luck plays in creating a bestseller.

Jump-start your creativity with a selection of fun exercises, including "What-If Moments" and "The First-Line Game." Mr. Bell cites best-selling authors such as Alice Sebold and Mickey Spillane to demonstrate the importance of creating unique elements: a twist, a character, a setting, a relationship. Find out how to create the ever-important elevator pitch.

Using a proprietary system of his own invention, Mr. Bell introduces you to the foundational principles of a successful novel: LOCK (Lead, Objective, Confrontation, Knockout). He demonstrates how famous authors such as Stephen King, David Baldacci, and others utilize these fundamental elements. Plus, review the five types of endings and discover the pros and cons of each.

Dive into the writing styles of "pantsers" versus "plotters" and get a better understanding of whether you want to aim for a plot-driven or a character-driven story. And using the writings of John Grisham, Ernest Hemingway, Lee Child, and others, evaluate the traditional mythical structure of a three-act story.

See how James M. Cain, Harlan Coben, Anne Lamott, Ken Follett, James Clavell, and Dean Koontz often use a jolt or disturbance to hook a reader in, and how that often contributes to the book becoming a bestseller. Look at other elements you'll need to include in the first act that will build up the character bonding and tension, which will keep readers riveted.

An "arena of conflict" is where your lead realizes he or she needs to overcome a challenge. Mr. Bell introduces you to the concept of a "mirror moment" and provides examples of authors who have demonstrated this technique, such as Margaret Mitchell, Suzanne Collins, Mario Puzo, Harper Lee, Thomas Harris, and Dashiell Hammett.

Mickey Spillane noted, "The first chapter sells the book. The last chapter sells the next book." Mr. Bell has already provided the tools to get your reader hooked with the first chapter, and potentially the first line! Now, he provides the five strategies that will help you end your book in a way that gets your reader craving your next title.

Learn how to use unpredictability so your readers don't get bored with cliche characters or trite traits, and see how to develop flaws and baggage to make your characters relatable and human. Plus, get hints about building secondary characters, villains, and what it takes to keep a character interesting through an ongoing series.

Mr. Bell reveals two ways to bring your characters to life, along with a myriad of techniques you can put into practice, including a timeline, a voice journal, a simple relationship grid, and the areas you should plan to research. Plus, learn how minor details such as patterns of speech, dress, physical appearance, mannerisms, tics, eccentricities, and even names can have a major impact.