Black Hat Bureau

Remember that old line about how the only way out of the organization is in a pine box? Well, Rue Hollis spent ten years thinking she had escaped the Black Hat Bureau, no coffin required. Then her former partner had to go and shatter the illusion by showing up on her doorstep with grim tidings. As much as Rue wants to kick him to the curb, she agrees to hear him out for old times' sake, and what he says chills her to the bone. The Silver Stag was the most notorious paranormal serial killer in modern history, and Rue brought him down. Now a copycat has picked up where the Stag left off, and the Bureau wants her on the case. She beat the Stag once. They think she can do it again. But they don't know she's given up black magic, and she's not about to tell them. White witches are prey, and Rue is the hunter, not the hunted. Always. But can she take down the protege of the man who almost beat her at her black witch best? If she wants to keep her new town, her new home, her new life, then she has no choice but to find out. Contains mature themes.

After a black witch pitched a hissy fit in Hollis Apothecary, Rue got stuck cleaning up his mess. That was the easy part. Repairing the damage he inflicted on Camber and Arden? That makes Rue wish she could bring him back to life just to kill him again. Slower this time. While Rue is setting her new life back to rights, Clay and Asa are off working a case, but it soon becomes clear that they'll need her help to catch the vicious creature preying on locals in a small Tennessee town. She's got her hands full at home, but Rue has no choice. She must report for duty to honor her agreement with the director. Or else. What she discovers leads her deeper down the rabbit hole of Black Hat Bureau corruption and promises that, no matter how grim the past few weeks have been, the worst is yet to come. Contains mature themes.

When one of Santa's reindeer meets a grisly end during the annual A Downtown Dickens Christmas Festival, Rue realizes her enemies are closing in on her location, and Samford will pay the price. But when one creature turns into two, and two into three, and then three into four, Rue knows the problem is bigger than a singular threat to her new hometown. And that's before a holiday shopper strolls into Hollis Apothecary claiming to be a long-lost relative of her father's. As old loyalties are tested and new relationships threaten to unravel the fabric of her identity, Rue must choose either the family she was born into or the one she created for herself, and the losing side might not survive her decision. Contains mature themes.

Vonda Winterbourne is, sadly, a lady. Much to her regret. And her parents expect her to act like one. That includes marrying a nice white witch who can provide her safety, companionship, and all the comforts one could desire in their gilded cage. Hiram Nádasdy is no gentleman. He's a black witch with a reputation that strikes terror in the hearts of his enemies. But not in the girl. No, the girl is fearless, reckless, and determined to know him. He ought to reveal the darkness lurking in his heart and scare her away before it's too late, but he's curious about her as well. And, frankly, he's not sure it would work. Black witches don't befriend white witches, and white witches don't fall in love with black witches. They certainly don't marry them. Or do they? Contains mature themes.

Monsters with a taste for children are nothing new, but fairy tales never mentioned this nightmarish predator. Rue has her hands full tracking the creature hunting the streets of Charleston, but a call from home divides her attention, and her loyalties. A stranger has come to Hollis Apothecary, asking questions that prickle the hairs on her nape, but she can't abandon the victims based only on a bad feeling. The pit in her stomach only grows when the stranger takes a hostage and makes his demands. He wants to talk to Rue, face to face. Or else. What he has to say will change her life, and her perception of her past, forever. Contains mature themes.

Famous monsters are resurrecting across Mississippi, each one recreating their own gruesome deaths through new victims. Every time Rue pins down one horror legend, another appears with its own bloodthirsty agenda. The summoners raising these vengeful spirits save their best for last, a cruel gift that shatters Rue. But she's not the only one whose heart gets broken. Once her father realizes what the summoners have done, who they've awakened, there is nowhere they can hide where he can't find them. After this final betrayal, there are no limits on how far he's willing to go to bring down Black Hat, the director, and anyone else who gets in his way. Including his own daughter. Contains mature themes.

Corpses are vanishing from New Orleans morgues, there's talk of a sea monster in Lake Pontchartrain, and Hiram Nádasdy is turning the French Quarter upside down in search of a witch with the power to bring the dead back to life. When the director assigns Rue the case, she suspects he's sending her hunting all right. For her father, not the creature. Too bad she's got her hands full with dueling covens, drunk revelers, and a whole lot of pool noodles. Oh. And it's Mardi Gras. Of course, it is. But as the locals say, laissez les bons temps rouler. Contains mature themes.

After wiping out an entire black witch coven on the shores of Lake Pontchartrain, Rue can no longer afford to have a laissez-faire attitude toward the Maudit Grimoire. Its black magic is infecting her, and it's leaking into her familiar bond with Colby, poisoning the loinnir with its thirst for violence. A trip to the fae realm ought to be just the ticket, but any hope for a quick fix dies when a message arrives from High Priestess Naeema. Her daughter has gone missing, and she expects Rue to find her. As much as Rue wants to help Naeema, can she afford to put off disposing of the cunning book yet again? Contains mature themes.

After the challenge for the throne of Hael went sideways, Rue expected Stavros to place a bounty on Asa's head, but she didn't expect him to pin an even bigger target on her back. Then again, it was her fault he was forced to turn tail and run from the fight during a live broadcast to the entire kingdom. That had to sting his pride. Life would have been so much simpler if only he had been incinerated by her magic along with the rest of the arena. But simple is one thing Rue's life has never been. And things keep getting more complicated when a stalker turns to murder, carving messages into the bodies of his victims. With a killer on her trail, she ought to be focused on staying alive, but a hot tip on another case leads her into the bowels of the Black Hat compound, where Rue discovers a world of secrets and lies that just might bring the Bureau crashing to its knees. Contains mature themes.

The Black Hat compound is rubble on the ocean floor, the director hasn't been seen since the explosion that demolished his life's work, and old enemies have decided it's open season on the remaining agents. Oh. And Arden has decided now is a great time for a surprise visit to force a confrontation with Rue. Between holding the Bureau together, searching for her grandfather, and babysitting Arden, Rue has her work cut out for her. But her distraction allows her to be blindsided by a loss that fractures her very soul. Betrayal is a familiar sting for Rue, she barely feels it anymore, but this time? She might not survive it. Contains mature themes.

In this tenth and final installment of the Black Hat Bureau series, Rue races the clock to find her little moth girl before it's too late. As much as she wants to believe that Clay will protect Colby, he isn't himself when he's under the director's thrall. And the director would toss a loinnir back like a shot of pure magic if he got his hands on her. As if Rue doesn't already have enough heaped on her plate, Luca is spreading her poison west in a twisted game of take-out roulette. Now Rue must decide if saving one life is worth sacrificing the dozens of innocents Luca will kill if Rue doesn't make stopping her the top priority. As the director, Rue ought to put her agents' lives and the Bureau's purpose above her own, but Colby is her child and-right or wrong-Rue would burn down the world to save her. Contains mature themes.