Chief Inspector Woodend

With the newspapers screaming for a quick solution, this is a case no one wants to touch -- so naturally it is Chief Inspector Woodend who finds himself left holding the baby. With his usual panache, Cloggin'-it Charlie quickly immerses himself of the world of television, meeting people he has previously only seen as characters on the screen, learning that while there may be honour among thieves there does not seem to be much on the set of Maddox Row. The question, it soon becomes apparent, is not who wanted to kill Valerie Farnsworth, but who didn't. And will the murderer stop at only one victim? There are those in the know who are convinced that he won't.

The discovery of the body of a young, red-haired school mistress, lying in a pig-pen with her face half-eaten away, is the beginning of a new investigation for Charlie Woodend. But it is to be an investigation he is soon ordered to abandon when Helen Dunn, the daughter of Wing Commander Dunn - and a pupil at the school where the dead woman taught - suddenly vanishes into thin air. While Woodend and Rutter race against time in the desperate hope of finding the girl alive, Woodend's bagman, Monika Paniatowski, continues to work on the murder, under the supervision of the mysterious Chief Inspector Horrocks, a Scotland Yard man who seems to have only a mild interest in finding the killer. Are the two cases connected? Woodend begins to wonder. And if they are, who is it who seems to be blocking both investigations at every turn?

A man and a young woman are found blasted away by a rifle in a remote farmhouse on the Yorkshire moors. But where is the farmer, why did he have such swanky furniture in his living room, and who on earth are the victims? Charlie Woodend isn't amused with the people who are getting under his feet as he starts to grapple with these questions, but his steps are abruptly halted when the Deputy Chief Constable decides that, this time, Woodend's high-handedness has gone too far. Woodend may have been suspended but his sense of justice can't let go. And it won't let go however much resistance he encounters and from whom. But as Woodend is depressed to discover, when the people who are determined to keep you down are all-powerful, sheer will-power just isn't enough.

A miscarriage of justice for DCI Woodend

There had never been a murder in Whitebridge like this one. What kind of man would slash the throat of a an inoffensive middle-aged widow who was already terminally ill? Why did he decide to place her lifeless body in the middle of a children's bonfire?It is the most difficult and complex case in Woodend's career, but the two people he most relies on - DI Rutter and DS Paniatowski - are being torn apart by their personal problems.As he struggles on, almost single-handedly, Woodend comes to the reluctant conclusion that he is being forced to participate in the killer's game without even knowing the rules. Yet one thing, at least, is plain from the beginning. For the game to continue, there must be more deaths...

To be Witch Makers in the moorland village of Hallerton is both a great honour and a heavy burden. But this Witch Maker never lives to witness his moment of triumph and is discovered tied to the Witching Post early one morning with a length of twine wrapped tightly around his neck. Will DCI Charlie Woodend solve this mystery...

With the help of Paco Ruiz - a former policeman, living in disgrace since the Spanish Civil War - Woodend embarks on an unofficial investigation which provides more questions than answers. Why was the dead man travelling under a false passport? Who are the men he was seen to associate with, but now deny all knowledge of him? Why does the local police chief seem determined to lead him up a blind alley? And, who is responsible for the three more deaths which quickly follow on from the first? It soon becomes plain to Woodend that the roots of the case stretch back thirty years - and that if he is ever to solve it, he must confront history itself.

Pamela Rainsford, found on a lonely canal path in the middle of a dark night, has not only been raped and strangled, but her face has been hacked to pieces. At first it seems a random killing, but as the case progresses, Woodend begins to suspect that the death of the mild-mannered, respectable secretary may have been a result of her own secret life.And another secret life is having its consequences, too - as a result of his now-ended affair with Sergeant Monika Paniatowski, Inspector Bob Rutter's marriage is falling apart. As the investigation proceeds, Woodend finds himself beginning to understand the complex web of lies and deceits which Pamela Rainsford has spun around herself, but nothing he discovers could never prepare him for a second death - this one much closer to home!

Never before has DCI Woodend had to work under such terrible and terrifying pressure. He has just a few days, at the most, to find a flaw in the weighty evidence which led to Judith Maitland's conviction as a stone-cold killer- a few days to produce the real murderer. But what if Judith really is guilty as charged? What if she did, in fact, brutally butcher her lover, Clive Burroughs, in his own office, as the facts seem to suggest.

The latest DCI Woodend mystery. Captain Robert Kineally disappeared from Haverton American Army base in Devon in 1944. Twenty years later, a body is found. Woodend knew and liked Kineally. He knew, and heartily disliked, Douglas Coutes, the man accused of killing him. With the British determined Woodend should exonerate Coutes and the Americans set on proving his guilt, Woodend must face his past mistakes if he is to have a shot at the truth.

Politician spills his guts - all over the road! The discovery of Bradley Pine's body off a busy road signals the end of his bid to win a local election. But why would the killer risk dumping the body so publicly? And why should he not only reduce the victim's mouth to pulp, but partly disembowel him? With the election looming, and Woodend's old enemy Marlowe replacing Pine as candidate, Woodend is required to produce a result. Any result!

When Terry Pugh's headless body is found floating in the canal, DCI Woodend at first believes that Pugh had merely miscalculated the amount of rope he needed to hang himself. But why would Pugh commit suicide when he had a loving wife who was expecting their first baby, and was just about to start an exciting new job? Other disturbing questions soon follow in the first body's wake. Who was the mysterious stranger Pugh was seen with, just before he died? What is the connection between him and the down-and-out who suffers a similar fate to his only twenty-four hours later? And how many more men are intended to die? As the investigation proceeds, Woodend and his team come to realize that the key to solving the crimes is hidden in the past - and on an island far, far away.

Angela Jackson, a young girl abducted from Whitebridge Corporation Park, has been missing for over twenty-four hours and, in the opinion of Dr Stevenson, the psychiatrist who Woodend turns to for advice, her kidnapper will first torture and then kill her. Woodend is aware of the damaging strains operating within his own team. Inspector Bob Rutter seems unable to control his infatuation with the unscrupulous journalist, Elizabeth Driver, while Sergeant Monika Paniatowski, is rapidly developing a deep affection for Rutter's small daughter, Louisa. And, Woodend's old enemy, Chief Constable Marlowe, is hovering in the background like a malevolent bird of prey, just waiting for the chief inspector to make a mistake. The more the investigation proceeds, the less Woodend can see any signs of hope. And he knows - deep within himself - that he will fail in bringing Angela back alive.

A charred body is discovered in an abandoned cotton mill, and the crime scene presents DCI Woodend and his team with many questions, but very few answers. Who would want to murder a harmless old tramp, a man with no friends - or enemies - in the world? And why, of all the methods he could have chosen, did the killer decide to cruelly burn his victim to death? As Woodend attempts to solve a murder with no clues, he must also battle against a police authority that is attempting to block him at every turn. And though he does not know it, worse is to follow, because Elizabeth Driver, Inspector Bob Rutter's lover, has almost finished the book which could destroy both his career and everything he has ever worked for.

"You should have worked out by now that nobody wants this case solved!" These words, delivered by Eddie, a Liverpool thug brought down to London especially to put the frighteners on him, send a shiver down newly-promoted DS Charlie Woodend's spine. Because Eddie is right. Nobody does seem interested in bringing the killer of sixteen-year-old Pearl Jones to justice. Not DCI Bentley, Woodend's immediate boss. Not Deputy Commissioner Naylor, whose word is law in Scotland Yard. Not even the dead girl's mother herself.But Woodend cares. Working alone - sifting through the rubble of bombed-out post-war London and building up a picture of a life cut short - he is assailed by a growing anger and a deepening sorrow. He will find the murderer, he promises himself, even if that means putting his career - and perhaps even his own life - on the line.