Commissario Brunetti

A conductor succumbs to cyanide at the famed Venice opera house, in the first mystery in the New York Times-bestselling, award-winning series. During intermission at the famed La Fenice opera house in Venice, Italy, a notoriously difficult and widely disliked German conductor is poisoned - and suspects abound. Guido Brunetti, a native Venetian, sets out to unravel the mystery behind the high-profile murder. To do so, he calls on his knowledge of Venice, its culture, and its dirty politics. Along the way, he finds the crime may have roots going back decades - and that revenge, corruption, and even Italian cuisine may play a role.

In the sixth book featuring Donna Leon's ever-charming and sympathetic protagonist, Commissario Guido Brunetti comes to the aid of a young nursing sister who has had five patients unexpectedly die and decides to leave her convent. In the course of his inquiries, Brunetti encounters an unusual cast of characters but discovers nothing that seems criminal. Is the nun simply creating a smoke screen to justify abandoning her vocation? Or has she stumbled onto something very real and very sinister-something that places her own life in imminent danger? A beautiful, suspense-filled novel, Quietly in Their Sleep is Donna Leon at the top of her form.

A macabre grave is found at the foot of the Italian Dolomites. The body is found to be Roberto Lorenzoni's, only son and heir of one Venice's oldest, most aristocratic families. Commissario Guido Brunetti must move in the highest circles of power and corruption to unravel the mystery behind the young man's disappearance and murder.

American author Donna Leon presents the eighteenth installment of her acclaimed Brunetti series. Here, Venetian sleuth Commissario Brunetti continues his investigation of the Italian Mafia in emphatic fashion. But when Carabinieri Maggiore Filipo Guarino of the Marghera police department is murdered, Brunetti's investigation takes an unexpected turn and leads him to a suspicious trucking company and a charming businessman's wife.

Late one night, Commissario Guido Brunetti's telefonino rings. A old woman's body has been found in a Spartan apartment on Campo San Giacomo dell'Orio. Brunetti sees some signs of force on the old woman, but they could just as easily have been from the radiator near where she fell. When the medical examiner rules that the woman died of a heart attack, it seems there is nothing to investigate. But he can't shake the feeling that perhaps the woman was threatened.

Donna Leon' s critically acclaimed, internationally bestselling Commissario Guido Brunetti series has attracted readers the world over with the beauty of its setting, the humanity of its characters, and its fearlessness in exploring politics, morality, and contemporary Italian culture. In the pages of Leon's novels, the beloved conversations of the Brunetti family have drawn on topics of art and literature, but books are at the heart of this novel in a way they never have been before. One afternoon, Commissario Guido Brunetti gets a frantic call from the director of a prestigious Venetian library. Someone has stolen pages out of several rare books. After a round of questioning, the case seems clear: the culprit must be the man who requested the volumes, an American professor from a Kansas university. The only problem-- the man fled the library earlier that day, and after checking his credentials, the American professor doesn’t' t exist. As the investigation proceeds, the suspects multiply. And when a seemingly harmless theologian, who had spent years reading at the library turns up brutally murdered, Brunetti must question his expectations about what makes a man innocent, or guilty.

Donna Leon's Death at La Fenice, the first novel in her beloved Commissario Guido Brunetti series, introduced readers to the glamorous and cutthroat world of opera and one of Italy's finest living sopranos, Flavia Petrelli-then a suspect in the poisoning of a renowned German conductor. Years after Brunetti cleared her name, Flavia has returned to Venice and La Fenice to sing the lead in Tosca. Brunetti and his wife, Paola, attend an early performance, and Flavia receives a standing ovation. Back in her dressing room, she finds bouquets of yellow roses-too many roses. Every surface of the room is covered with them. An anonymous fan has been showering Flavia with these beautiful gifts in London, St. Petersburg, Amsterdam, and now, Venice, but she no longer feels flattered. A few nights later, invited by Brunetti to dine at his in-laws' palazzo, Flavia confesses her alarm at these excessive displays of adoration. And when a talented young Venetian singer who has caught Flavia's attention is savagely attacked, Brunetti begins to think that Flavia's fears are justified in ways neither of them imagined. He must enter in the psyche of an obsessive fan before Flavia, or anyone else, comes to harm.

In Donna Leon's Commissario Guido Brunetti series, the Venetian inspector has been called on to investigate many things, from shocking to petty crimes. But in The Waters of Eternal Youth, the 25th novel in this celebrated series, Brunetti finds himself drawn into a case that may not be a case at all. Fifteen years ago, a teenage girl fell into a canal late at night. Unable to swim, she went under and started to drown, only surviving thanks to a nearby man, an alcoholic, who heard her splashes and pulled her out, though not before she suffered irreparable brain damage that left her in a state of permanent childhood, unable to learn or mature. The drunk man claimed he saw her thrown into the canal by another man, but the following day he couldn't remember a thing. Now, at a fundraising dinner for a Venetian charity, a wealthy and aristocratic patroness-the girl's grandmother-asks Brunetti if he will investigate. Brunetti's not sure what to do. If a crime was committed, it would surely have passed the statute of limitations. But out of a mixture of curiosity, pity, and a willingness to fulfill the wishes of a guilt-wracked older woman, who happens to be his mother-in-law's best friend, he agrees. Brunetti soon finds himself unable to let the case rest, if indeed there is a case. Awash in the rhythms and concerns of contemporary Venetian life, from historical preservation, to housing, to new waves of African migrants, and the haunting story of a woman trapped in a damaged perpetual childhood, The Waters of Eternal Youth is another wonderful addition to this series.

Donna Leon's bestselling mystery novels set in Venice have won a multitude of fans for their insider's portrayal of La Serenissima. From family meals to coffee bars, and from vaporetti rides to the homes and apartments of Venetians, the details and rhythms of everyday life are an integral part of this beloved series. But so are the suffocating corruption, the never-ending influx of tourists, and crimes big and small. Through it all, Leon's Commissario Guido Brunetti has been an enduring figure. A good man who loves his family and his city, Brunetti is relentless in his pursuit of truth and some measure of justice. In Earthly Remains, the twenty-sixth novel in this series, Brunetti's endurance is tested more than ever before. During an interrogation of an entitled, arrogant man suspected of giving drugs to a young girl who then died, Brunetti acts rashly, doing something he will quickly come to regret. In the fallout, he realizes that he needs a break, needs to get away from the stifling problems of his work. When Brunetti is granted leave from the Questura, his wife, Paola, ships him off to a villa owned by a wealthy relative on Sant'Erasmo, one of the largest islands in the laguna. There he intends to pass his days rowing, and his nights reading Pliny's Natural History. The recuperative stay goes according to plan until Davide Casati, the caretaker of the house on Sant'Erasmo, goes missing following a sudden storm. Now, Brunetti feels compelled to investigate, to set aside his leave of absence and understand what happened to the man who had become his friend. Earthly Remains is quintessential Donna Leon, a powerful addition to this enduring series.

In the 27th novel in Donna Leon's bestselling mystery series, a suspicious accident leads Commissario Guido Brunetti to uncover a longstanding scam with disturbing unintended consequences Surprised, if not dismayed, to discover from his superior, Vice-Questore Patta, that leaks are emanating from the Questura, Commissario Guido Brunetti is surprised more consequentially by the appearance of a friend of his wife's, fearful that her son is using drugs and hopeful Brunetti can somehow intervene. When Tullio Gasparini, the woman's husband, is found unconscious and with a serious brain injury at the foot of a Venice bridge at midnight, Brunetti is drawn to pursue a possible connection to the boy's behavior. But the truth, as Brunetti has experienced so often, is rarely straightforward. An examination of Gasparini's home office reveals a number of strange coupons in his elderly aunt's name from a local drugstore, which over time reveal a long-running scam. As the 27th novel unfolds in Donna Leon's exquisite chronicle of Venetian life in all its blissful and sordid aspects, Brunetti is ever more impressed by the intuition of his fellow Commissario Claudia Griffoni, and by the endless resourcefulness and craftiness of Signorina Elettra, Patta's secretary and gate-keeper, and reminded of the ever-lasting virtues of his own family. His intellectual pursuits lead him to read Sophocles' play Antigone, so revealing of the unintended consequences that can erupt from bad decisions-and tempt him to consider at least personal forgiveness for a crime from the heart gone bad.

"Your situation is always ambiguous, isn't it, Guido?", his father-in-law, Count Orazio Falier, observes of Donna Leon's soulful detective, Guido Brunetti, at the beginning of her superb 28th Brunetti novel, Unto Us A Son Is Given. "The world we live in makes that necessary," Brunetti presciently replies. Count Falier was urging his Venetian son-in-law to investigate, and preferably intervene in, the seemingly innocent plan of the Count's best friend, the elderly Gonzalo Rodriguez de Tejada, to adopt a much younger man as his son. Under arcane Italian inheritance laws this man would then be heir to Gonzalo's entire fortune, a prospect Gonzalo's friends find appalling. For his part, Brunetti wonders why the old man, a close family friend, can't be allowed his pleasure in peace. And yet, what seems innocent on the Venetian surface can cause tsunamis beneath. Gonzalo unexpectedly, and literally, drops dead on the street, and his good friend Berta Dodson, just arrived in Venice for the memorial service, is strangled in her hotel room, having earlier sent Gonzalo an email saying "We are the only ones who know you cannot do this," referring to the adoption. Now with an urgent case to solve, Brunetti reluctantly untangles the long-hidden mystery in Gonzalo's life that ultimately led to murder, a resolution that brings him way more pain than satisfaction. Once again, Donna Leon brilliantly plumbs the twists and turns of the human condition, reuniting us with some of crime fiction's most memorable and enduring characters.

A woman’s cryptic dying words in a Venetian hospice lead Guido Brunetti to uncover a threat to the entire region in Donna Leon’s haunting twenty-ninth Brunetti novel When Dottoressa Donato calls the Questura to report that a dying patient at the hospice Fatebenefratelli wants to speak to the police, Commissario Guido Brunetti and his colleague Claudia Griffoni waste no time in responding. They killed him. It was bad money. I told him no, Benedetta Toso gasps the words about her recently deceased husband, Vittorio Fadalto. Even though he is not sure she can hear him, Brunetti softly promises he and Griffoni will look into what initially appears to be a private family tragedy. They discover that Fadalto worked in the field collecting samples of contamination for a company that measures the cleanliness of Venice’s water supply and that he had died in a mysterious motorcycle accident. Distracted briefly by Vice-Questore Pattas obsession with youth crime in Venice, Brunetti is bolstered once more by the remarkable research skills of Pattas secretary, Signorina Elettra Zorzi. Piecing together the tangled threads, in time Brunetti comes to realize the perilous meaning in the woman’s accusation and the threat it reveals to the health of the entire region. But justice in this case proves to be ambiguous, as Brunetti is reminded it can be when, seeking solace, he reads Aeschyluss classic play, The Eumenides. As she has done so often through her memorable characters and storytelling skill, Donna Leon once again engages our sensibilities as to the differences between guilt and responsibility.

In his many years as a commissario, Guido Brunetti has seen all manner of crime and known intuitively how to navigate the various pathways in his native city, Venice, to discover the person responsible. Now, in the thirtieth novel in Donna Leon’s masterful series, he faces a heinous crime committed outside his jurisdiction. He is drawn in innocently enough: two young American women have been badly injured in a boating accident, joy riding in the Laguna with two young Italians. However, Brunettis curiosity is aroused by the behavior of the young men, who abandoned the victims after taking them to the hospital. If the injuries were the result of an accident, why did they want to avoid association with it? As Brunetti and his colleague, Claudia Griffoni, investigate the incident, they discover that one of the young men works for a man rumored to be involved in more sinister nighttime activities in the Laguna. To get to the bottom of what proves to be a gut-wrenching case, Brunetti needs to enlist the help of both the Carabinieri and the Guardia di Costiera. Determining how much trust he and Griffoni can put in these unfamiliar colleagues adds to the difficulty of solving a peculiarly horrible crime whose perpetrators are technologically brilliant and ruthlessly organized. Donna Leons thirtieth Brunetti novel is as powerful as any she has written, testing Brunetti to his limits, forcing him to listen very carefully for the truth.

Brunetti is forced to confront the price of loyalty, to his past and in his work, as a seemingly innocent request leads him into troubling waters. What role can or should loyalty play in the life of a police inspector? It's a question Commissario Guido Brunetti must face and ultimately answer in Give Unto Others, Donna Leon's splendid 31st installment of her acclaimed Venetian crime series. Brunetti is approached for a favor by Elisabetta Foscarini, a woman he knows casually, but her mother was good to Brunetti's mother, so he feels obliged to at least look into the matter privately, and not as official police business. Foscarini's son-in-law, Enrico Fenzo, has alarmed his wife (her daughter) by confessing their family might be in danger because of something he's involved with. Since Fenzo is an accountant, Brunetti logically suspects the cause of danger is related to the finances of a client. Yet his clients seem benign: an optician, a restaurateur, a charity established by his father-in-law. However, when his friend's daughter's place of work is vandalized, Brunetti asks his own favors-that his colleagues Claudia Griffoni, Lorenzo Vianello, and Signorina Elettra Zorzi assist his private investigation, which soon enough turns official as they uncover the dark and Janus-faced nature of a venerable Italian institution. Exploring the wobbly line between the criminal and non-criminal, revealing previously untold elements of Brunetti's past, Give Unto Others shows that the price of reciprocity can be steep.

Guido Brunetti is baffled by the apparent murder of a seemingly innocuous immigrant man, until a connection to his own youthful past resolves the story of the man's death and a decades-old disappearance On a cold November evening, Guido Brunetti and Paola are up late when a call from his colleague Ispettore Vianello arrives, alerting the Commissario that a hand has been seen in one of Venice's canals. The body is soon found, and Brunetti is assigned to investigate the murder of an undocumented Sri Lankan immigrant. Because no official record of the man's presence in Venice exists, Brunetti is forced to use the city's far richer sources of information: gossip and the memories of people who knew the victim. Curiously, he had been living in a small house on the grounds of a palazzo owned by a university professor, in which Brunetti discovers books revealing the victim's interest in Buddhism, the revolutionary Tamil Tigers, and the last crop of Italian political terrorists, active in the 1980s. As the investigation expands, Brunetti, Vianello, Commissario Griffoni, and Signora Elettra each assemble pieces of a puzzle-random information about real estate and land use, books, university friendships-that appear to have little in common. Then, Brunetti stumbles over something that transports him back to his own student days, causing him to reflect on lost ideals and the errors of youth, on Italian politics and history, and on the accidents that sometimes lead to discovery.