Cornell Studies in Classical Philology

In On Greek Religion, Robert Parker offers a provocative and wide-ranging entrée into the world of ancient Greek religion, focusing especially on the interpretive challenge of studying a religious system that in many ways remains desperately alien from the vantage point of the twenty-first century. One of the world's leading authorities on ancient Greek religion, Parker raises fundamental methodological questions about the study of this vast subject. Given the abundance of evidence we now have about the nature and practice of religion among the ancient Greeks-including literary, historical, and archaeological sources-how can we best exploit that evidence and agree on the central underlying issues? Is it possible to develop a larger, "unified" theoretical framework that allows for coherent discussions among archaeologists, anthropologists, literary scholars, and historians? In seven thematic chapters, Parker focuses on key themes in Greek religion: the epistemological basis of Greek religion; the relation of ritual to belief; theories of sacrifice; the nature of gods and heroes; the meaning of rituals, festivals, and feasts; and the absence of religious authority. Ranging across the archaic, classical, and Hellenistic periods, he draws on multiple disciplines both within and outside classical studies. He also remains sensitive to varieties of Greek religious experience. Also included are five appendixes in which Parker applies his innovative methodological approach to particular cases, such as the acceptance of new gods and the consultation of oracles. On Greek Religion will stir debate for its bold questioning of disciplinary norms and for offering scholars and students new points of departure for future research.

Aurelius Prudentius Clemens (348–ca. 406) is one of the great Christian Latin writers of late antiquity. Born in northeastern Spain during an era of momentous change for both the Empire and the Christian religion, he was well educated, well connected, and a successful member of the late Roman elite, a man fully engaged with the politics and culture of his times. Prudentius wrote poetry that was deeply influenced by classical writers and in the process he revived the ethical, historical, and political functions of poetry. This aspect of his work was especially valued in the Middle Ages by Christian writers who found themselves similarly drawn to the Classical tradition. Prudentius's Hamartigenia, consisting of a 63-line preface followed by 966 lines of dactylic hexameter verse, considers the origin of sin in the universe and its consequences, culminating with a vision of judgment day: the damned are condemned to torture, worms, and flames, while the saved return to a heaven filled with delights, one of which is the pleasure of watching the torments of the damned. As Martha A. Malamud shows in the interpretive essay that accompanies her lapidary translation, the first new English translation in more than forty years, Hamartigenia is critical for understanding late antique ideas about sin, justice, gender, violence, and the afterlife. Its radical exploration of and experimentation with language have inspired generations of thinkers and poets since-most notably John Milton, whose Paradise Lost owes much of its conception of language and its strikingly visual imagery to Prudentius's poem.

The publication of Jacqueline de Romilly's Histoire et raison chez Thucydide in 1956 virtually transformed scholarship on Thucydides. Rather than mining The Peloponnesian War to speculate on its layers of composition or second-guess its accuracy, it treated it as a work of art deserving rhetorical and aesthetic analysis. Ahead of its time in its sophisticated focus upon the verbal texture of narrative, it proved that a literary approach offered the most productive and nuanced way to study Thucydides. Still in print in the original French, the book has influenced numerous Classicists and historians, and is now available in English for the first time in a careful translation by Elizabeth Trapnell Rawlings. The Cornell edition includes an introduction by Hunter R. Rawlings III and Jeffrey Rusten tracing the context of this book's original publication and its continuing influence on the study of Thucydides. Romilly shows that Thucydides constructs his account of the Peloponnesian War as a profoundly intellectual experience for readers who want to discern the patterns underlying historical events. Employing a commanding logic that exercises total control over the data of history, Thucydides uses rigorous principles of selection, suggestive juxtapositions, and artfully opposed speeches to reveal systematic relationships between plans and outcomes, impose meaning on the smallest events, and insist on the constant battle between intellect and chance. Thucydides' mind found in unity and coherence its ideal of historical truth.

Libanius of Antioch was a rhetorician of rare skill and eloquence. So renowned was he in the fourth century that his school of rhetoric in Roman Syria became among the most prestigious in the Eastern Empire. In this book Raffaella Cribiore draws on her unique knowledge of the entire body of Libanius's vast literary output-including 64 orations, 1,544 letters, and exercises for his students-to offer the fullest intellectual portrait yet of this remarkable figure whom John Chrystostom called "the sophist of the city." Libanius (314–ca. 393) lived at a time when Christianity was celebrating its triumph but paganism tried to resist. Although himself a pagan, Libanius cultivated friendships within Antioch's Christian community and taught leaders of the Church including Chrysostom and Basil of Caesarea. Cribiore calls him a "gray pagan" who did not share the fanaticism of the Emperor Julian. Cribiore considers the role that a major intellectual of Libanius's caliber played in this religiously diverse society and culture. When he wrote a letter or delivered an oration, who was he addressing and what did he hope to accomplish? One thing that stands out in Libanius's speeches is the startling amount of invective against his enemies. How common was character assassination of this sort? What was the subtext to these speeches and how would they have been received? Adapted from the Townsend Lectures that Cribiore delivered at Cornell University in 2010, this book brilliantly restores Libanius to his rightful place in the rich and culturally complex world of Late Antiquity.

When we think of Roman Poetry, the names most likely to come to mind are Vergil, Horace, and Ovid, who flourished during the age of Augustus. The genius of Imperial poets such as Juvenal, Martial, and Statius is now generally recognized, but the final years of the Roman Empire are not normally associated with poetic achievement. Recently, however, classical scholars have begun reassessing a number of poets from Late Antiquity-names such as Ausonius, Claudian, and Prudentius-understanding them as artists of considerable talent and influence. In The Space That Remains, Aaron Pelttari offers the first systematic study of these fourth-century poets since Michael Robert's foundational The Jeweled Style (Cornell, 1989). It is the first to give equal attention to both Christian and Pagan poetry and the first to take seriously the issue of readership. Like the Roman Empire, Latin literature was in a state of flux during the fourth century. As Pelttari shows, the period marked a turn towards forms of writing that privilege the reader's active involvement in shaping the meaning of the text. In the poetry of Ausonius, Claudian, and Prudentius we can see the increasing importance of distinctions between old and new, ancient and modern, forgotten and remembered. The strange traditionalism and verbalism of the day often concealed a desire for immediacy and presence. We can see these changes most clearly in the expectations placed upon readers. The space that remains is the space that the reader comes to inhabit, as would increasingly become the case in the literature of the Latin Middle Ages.

This biography of Alcibiades, the charismatic Athenian statesman and general (c. 450-404 BC) who achieved both renown and infamy during the Peloponnesian War, is both an extraordinary adventure story and a cautionary tale that reveals the dangers that political opportunism and demagoguery pose to democracy. As Jacqueline de Romilly brilliantly documents, Alcibiades's life is one of wanderings and vicissitudes, promises and disappointments, brilliant successes and ruinous defeats. Born into a wealthy and powerful family in Athens, Alcibiades was a student of Socrates and disciple of Pericles, and he seemed destined to dominate the political life of his city-and his tumultuous age. Romilly shows, however, that he was too ambitious. Haunted by financial and sexual intrigues and political plots, Alcibiades was exiled from Athens, sentenced to death, recalled to his homeland, only to be exiled again. He defected from Athens to Sparta and from Sparta to Persia and then from Persia back to Athens, buffeted by scandal after scandal, most of them of his own making. A gifted demagogue and, according to his contemporaries, more handsome than the hero Achilles, Alcibiades is also a strikingly modern figure, whose seductive celebrity and dangerous ambition anticipated current crises of leadership.

In the pitch of battle, according to Pericles, the Athenian citizen-soldier chooses to die rather than leave undefended the democratic principles that Athens embodies: this defines The Soldier's Choice. The great war between Sparta and Athens dominated the Greek world for twenty-seven years (431–404 BCE) and shaped much of the culture it bequeathed to posterity. The Sparta of that era did not produce writers, but Athens did: Thucydides, an unsuccessful general in the war, became its first historian; Aristophanes, Greece's greatest comic poet, devoted the first quarter century of his career to plays about the war; the foundational figure of Western philosophy, Plato, grew up in its shadow and populated his works with men of the war generation. Because their writings belong to different genres, these three seminal figures have rarely been treated together, an oversight The Soldier's Choice decisively corrects. As prominent members of a small intellectual community, each of the three wrote in profound engagement with the currents represented by the others. The contributors to this volume, experts in the relevant genres, reveal and explore these long-neglected interactions. Contributors: Sara Forsdyke, Edith Foster, Terence Irwin, Richard Kraut, Mary Margaret McCabe, Heinz-Günther Nesselrath, Hunter R. Rawlings III, Ralph M. Rosen, Jeffrey Rusten, Victoria Wohl, Nancy Worman, Harvey Yunis