Divine Comedy

“The Inferno” is the first part of The Divine Comedy, Dante's epic poem describing man's progress from hell to paradise. In it, the author is lost in a dark wood, threatened by wild beasts and unable to find the right path to salvation. Notable for its nine circles of hell, the poem vividly illustrates the poetic justice of punishments faced by earthly sinners. “The Inferno” is perhaps the most popular of the three books of “The Divine Comedy,” which is widely considered the preeminent work in Italian literature.

Dramatic, intense, and gripping, The Inferno of Dante is an astonishing masterpiece that no listener can afford to miss. Robert Pinsky, the distinguished American poet, preserves the burning clarity and universal relevance of this 13th century literary masterpiece in a triumphant new translation for our times. Line by line, canto by canto, Robert Pinksy affirms The Inferno as a powerful living classic for today's listeners.

Recreated as a dramatisation starring acclaimed British actors Corin Redgrave, Alex Jennings, Laurie Anderson and Arthur Brown, a 14th century epic poem of the journey through hell.

Purgatorio is the second part of The Divine Comedy, Dante's epic poem describing man's progress from hell to paradise. Having escaped the Inferno, Dante and his guide, the classical Roman poet Virgil, ascend out of the underworld to the Mountain of Purgatory on an island on the far side of the world. The mountain has nine terraces, seven of which correspond to the seven deadly sins, and two of which constitute an Ante-Purgatory with the Garden of Eden at the summit. Dante writes about sin based on motives in Purgatory, rather than actions as in The Inferno, giving the book a more psychological aspect. Arriving on Easter Sunday, Purgatorio represents the time of human life on earth.

Paradiso is the third and final part of The Divine Comedy, Dante's epic poem describing man's progress from hell to salvation. In it, the author progresses through nine concentric spheres of heaven. Corresponding with medieval astronomy, the Moon, Mercury, Venus, the Sun, Mars, Jupiter and Saturn deal with the four cardinal virtues Prudence, Fortitude, Justice and Temperance. The remaining two spheres are the fixed stars and the Primum Mobile, containing the purely virtuous and the angels, followed by the Empyrean, or God itself, continuing the 9+1 theme that runs throughout the Divine Comedy. The Paradiso is more theological in nature than the Inferno and the Purgatorio, features encounters with several great saints, and finishes with the author's soul becoming aligned with God's love.

Blackstone Audio presents a new recording of this classic masterpiece, originally published in 1320, read by award-winning narrator Ralph Cosham. No words can describe the greatness of this work, a greatness both of theme and of artistry. Dante's theme is universal; it involves the greatest concepts that man has ever attained. Only a genius could have found the loftiness of tone and the splendor and variety of images that are presented in The Divine Comedy. The story is an allegory representing the soul's journey from spiritual depths to spiritual heights. As mankind exposes itself, by its merits or demerits, to the rewards or the punishments of justice, it experiences "Inferno" or hell, "Purgatorio" or purgatory, and "Paradiso" or heaven, a vision of a world of beauty, light, and song. Dante's arduous journey through the circles of hell make for an incredibly moving human drama, and a single listen will reveal the power of Dante's imagination to make the spiritual visible.