Dynamics of Christian Worship

Christians sing because we are people of hope. Yet our hope is unlike other kinds of hope. We are not optimists; nor are we escapists. Christian hope is uniquely shaped by the resurrection of Jesus Christ from the dead and by the promise of our own future resurrection. How is that hope both expressed and experienced in contemporary worship? In this volume in the Dynamics of Christian Worship series, pastor, theologian, and songwriter Glenn Packiam explores what Christians sing about when they sing about hope and what kind of hope they experience when they worship together. Through his analysis and reflection, we find that Christian worship is crucial to both the proclamation and the formation of Christian hope.

How might our worship recapture and reflect the enchanted world of God's nearness in Jesus Christ?

The history of the theology of worship is riddled with examples of clergy and worship leaders who have sought to manipulate their parishioners' anxiety in order to spur repentance and turn people toward God. Even if such ends may be desirable-at what cost? In Worship in an Age of Anxiety, Jordan challenges this utilitarian approach, offering a critical assessment of contemporary as well as historical evangelical figures such as D. L. Moody and Billy Graham who have deployed anxiety as a tool for conversion. Proposing a completely different model, Jordan takes up various elements of worship, including: - liturgy - space - music - preaching - the sacraments In doing so, he develops a practical theology of worship that also turns people toward God but within a healing framework. While worship alone cannot heal anxiety, it can be a time and place where, rather than being manipulated, anxiety can be acknowledged, accepted, and offered to God.

Preaching and music are both regular elements of Christian worship across the theological spectrum. But they often don't interact or inform each other in meaningful ways. In this Dynamics of Christian Worship volume, theologian, pastor, and musician Noel A. Snyder considers how the church's preaching might be helpfully informed by musical theory. Just as a good musical composition employs technical elements like synchrony, repetition, and meter, the same should be said for good preaching that seeks to engage hearts and minds with the good news of Jesus Christ. By drawing upon music that lifts the soul, preachers might craft sermons that sing.

At its best, all Christian worship is led by the Holy Spirit. But is there a distinctive theology of Pentecostal worship? The Pentecostal church or the renewal movement is among the fastest-growing parts of the body of Christ around the world, which makes understanding its theology and practice critical for the future of the church. In this volume in IVP Academic's Dynamics of Christian Worship (DCW) series, theologian Steven Félix-Jäger offers a theology of renewal worship, including its biblical foundations, how its global nature is expressed in particular localities, and how charismatic worship distinctively shapes the community of faith. With his guidance, the whole church might understand better what it means to pray, "Come, Holy Spirit!" The Dynamics of Christian Worship series draws from a wide range of worshiping contexts and denominational backgrounds to unpack the many dynamics of Christian worship-including prayer, reading the Bible, preaching, baptism, the Lord's Supper, music, visual art, architecture, and more-to deepen both the theology and practice of Christian worship for the life of the church.

In every age, the church must consider what it means to gather together to worship God. If the church is primarily the people who follow the risen Christ, then its worship should be "gospel-centered." But where might the church find an example of such worship for today? In this “Dynamics of Christian Worship” volume, scholar, worship leader, and songwriter Zac Hicks contends that such a focus can be found in the theology of worship presented by Thomas Cranmer, the Archbishop of Canterbury during the English Reformation. Hicks argues that Cranmer's reformation of the church's worship and liturgy was shaped primarily by the Protestant principle of justification by faith alone as reflected in his 1552 edition of “The Book of Common Prayer”, which was later codified under Elizabeth I and has guided Anglican worship for centuries. Here, we find a model of "gospel-centered" worship through which the church of today might be reformed yet again. “The Dynamics of Christian Worship” series draws from a wide range of worshiping contexts and denominational backgrounds to unpack the many dynamics of Christian worship-including prayer, reading the Bible, preaching, baptism, the Lord's Supper, music, visual art, architecture, and more-to deepen both the theology and practice of Christian worship for the life of the church.