Ear Training Course for Guitar Practice that and become great at guitar playing

Hi, fellow music lover! Congratulations on starting your music-making journey. I won't waste your time with a long introduction, but let me say a few words just to get us off on the right foot. Ear training is one of the most rewarding skills you can develop, and it's one that you can work on every day. Which makes total sense: music is an aural experience, after all. Ear training helps you turn the music you hear into music you make on your guitar. This works for your own musical ideas, too: when you dream up a great riff or chord progression, you naturally want to sit down and play it right away. Ear training helps you do just that. This lesson is broken into several chapters, each of them focusing on two or three related intervals. There are plenty of examples for each interval, so you can work straight through the lesson or hop around as much as you like. The last chapter is a sort of final exam. It brings together all the intervals we've covered and mixes them up for an extra challenge. But you don't have to fear that chapter. Just give it a go every once in a while to measure your progress. Best of all, this lesson doesn't limit itself to dry theory: every concept we discuss here is played on a real guitar by a real guitarist. Oh, and before I forget, the most important tip of all: have fun! What's inside: • all intervals from prime to octave covered • real guitar recordings throughout • well chosen interval comparisons, e.g., fifth vs. fourth, minor second vs. major seventh. • 10+ hours of interval recognition • nice & encouraging female narrator

Hi, fellow music lover! Congratulations on starting your music-making journey. I won't waste your time with a long introduction, but let me say a few words just to get us off on the right foot. Ear training is one of the most rewarding skills you can develop, and it's one that you can work on every day. Which makes total sense: music is an aural experience, after all. Ear training helps you turn the music you hear into music you make on your guitar. This works for your own musical ideas, too: when you dream up a great riff or chord progression, you naturally want to sit down and play it right away. Ear training helps you do just that. This lesson is broken into several chapters, each of them focusing on two to four related chords. There are plenty of examples for each chord, so you can work straight through the lesson or hop around as much as you like. The last chapter is a sort of final exam. It brings together all the chords we've covered and mixes them up for an extra challenge. But you don't have to fear that chapter. Just give it a go every once in a while to measure your progress. Best of all, this lesson doesn't limit itself to dry theory: every concept we discuss here is played on a real guitar by a real guitarist. Oh, and before I forget, the most important tip of all: have fun! What's inside: • all triads, i.e., major, minor, suspended, augmented, diminished, covered • all commonly used seventh and ninth chords, e.g., major 7, minor 7, major add 9, dominant 7, minor major 7, minor 9, minor 7 b5, covered • real guitar recordings throughout • well chosen chord comparisons, e.g., major vs. minor, major vs. sus. • 8+ hours of chord recognition • nice & encouraging female narrator

Hi, fellow music lover! Congratulations on starting your music-making journey. I won't waste your time with a long introduction, but let me say a few words just to get us off on the right foot. Ear training is one of the most rewarding skills you can develop, and it's one that you can work on every day. Which makes total sense: music is an aural experience, after all. Ear training helps you turn the music you hear into music you make on your guitar. This works for your own musical ideas, too: when you dream up a great riff or chord progression, you naturally want to sit down and play it right away. Ear training helps you do just that. This lesson is broken into several chapters, each of them focusing on two to four related intervals or chords. There are plenty of examples for each interval and chord, so you can work straight through the lesson or hop around as much as you like. The last chapter is a sort of final exam. It brings together all the intervals or chords we've covered and mixes them up for an extra challenge. But you don't have to fear that chapter. Just give it a go every once in a while to measure your progress. Best of all, this lesson doesn't limit itself to dry theory: every concept we discuss here is played on a real guitar by a real guitarist. Have fun! What's inside: • real guitar recordings throughout • all intervals from prime to octave covered • well chosen interval comparisons, e.g., fifth vs. fourth, minor second vs. major seventh. • all triads, i.e., major, minor, suspended, augmented, diminished, covered • all commonly used seventh and ninth chords, e.g., major 7, minor 7, major add 9, dominant 7, minor major 7, minor 9, minor 7 b5, covered • well chosen chord comparisons, e.g., major vs. minor, major vs. Sus. • 10+ hours of interval recognition • 8+ hours of chord recognition • nice & encouraging female narrator

Hi, fellow music lover! Congratulations on starting your music-making journey. I won't waste your time with a long introduction, but let me say a few words just to get us off on the right foot. Ear training is one of the most rewarding skills you can develop, and it's one that you can work on every day. Which makes total sense: music is an aural experience, after all. Ear training helps you turn the music you hear into music you make on your guitar. This works for your own musical ideas, too: when you dream up a great riff or chord progression, you naturally want to sit down and play it right away. Ear training helps you do just that. This lesson is broken into several chapters, each of them focusing on two or three related scales. There are plenty of examples for each scale, so you can work straight through the lesson or hop around as much as you like. The last chapter is a sort of final exam. It brings together all the scales we've covered and mixes them up for an extra challenge. But you don't have to fear that chapter. Just give it a go every once in a while to measure your progress. Best of all, this lesson doesn't limit itself to dry theory: every concept we discuss here is played on a real guitar by a real guitarist. Oh, and before I forget, the most important tip of all: have fun! What's inside: • all commonly used scales, i.e., major, minor, dorian phrygian, lydian, mixolydian, locrian, covered • additionally, harmonic minor, melodic minor, major pentatonic & minor pentatonic covered • real guitar recordings throughout • well chosen scale comparisons, e.g., aeolian vs. dorian, major vs. mixolydian vs. lydian • 6+ hours of scale recognition • nice & encouraging female narrator

Hi, fellow music lover! Congratulations on starting your music-making journey. Ear training is one of the most rewarding skills you can develop, and it's one that you can work on every day. Which makes total sense: music is an aural experience, after all. Ear training helps you turn the music you hear into music you make on your guitar. This works for your own musical ideas, too: when you dream up a great riff or chord progression, you naturally want to sit down and play it right away. Ear training helps you do just that. This lesson is broken into several chapters, each of them focusing on two to three related intervals or scales. There are plenty of examples for each interval and scale, so you can work straight through the lesson or hop around as much as you like. The last chapter is a sort of final exam. It brings together all the intervals or scales we've covered and mixes them up for an extra challenge. But you don't have to fear that chapter. Just give it a go every once in a while to measure your progress. Best of all, this lesson doesn't limit itself to dry theory: every concept we discuss here is played on a real guitar by a real guitarist. Oh, and before I forget, the most important tip of all: have fun! What's inside the audiobook: • nice & encouraging female narrator • real guitar recordings throughout • all intervals from prime to octave covered • well chosen interval comparisons, e.g., fifth vs. fourth, minor second vs. major seventh. • 10+ hours of interval recognition • all commonly used scales, i.e., major, minor, dorian phrygian, lydian, mixolydian, locrian, covered • additionally, harmonic minor, melodic minor, major pentatonic & minor pentatonic covered • well chosen scale comparisons, e.g., aeolian vs. dorian, major vs. mixolydian vs. lydian • 6+ hours of scale recognition

Hi, fellow music lover! Congratulations on starting your music-making journey. Ear training is one of the most rewarding skills you can develop, and it's one that you can work on every day. Which makes total sense: music is an aural experience, after all. Ear training helps you turn the music you hear into music you make on your guitar. This works for your own musical ideas, too: when you dream up a great riff or chord progression, you naturally want to sit down and play it right away. Ear training helps you do just that. This lesson is broken into several chapters, each of them focusing on two to four related chords or scales. There are plenty of examples for each chord and scale, so you can work straight through the lesson or hop around as much as you like. The last chapter is a sort of final exam. It brings together all the chords or scales we've covered and mixes them up for an extra challenge. Give it a go every once in a while to measure your progress. Best of all, every concept we discuss here is played on a real guitar by a real guitarist. Oh, and before I forget, the most important tip of all: have fun! What's inside the audiobook: • nice & encouraging female narrator • real guitar recordings throughout • all triads, i.e., major, minor, suspended, augmented, diminished, covered • all commonly used seventh and ninth chords, e.g., major 7, minor 7, major add 9, dominant 7, minor major 7, minor 9, minor 7 b5, covered • well chosen chord comparisons, e.g., major vs. minor, major vs. sus. • 8+ hours of chord recognition • all commonly used scales, i.e., major, minor, dorian phrygian, lydian, mixolydian, locrian, covered • additionally, harmonic minor, melodic minor, major pentatonic & minor pentatonic covered • well chosen scale comparisons, e.g., aeolian vs. dorian, major vs. mixolydian vs. lydian • 6+ hours of scale recognition

Hi, fellow music lover! Congratulations on starting your music-making journey. Ear training is one of the most rewarding skills you can develop, and it's one that you can work on every day. Which makes total sense: music is an aural experience, after all. Ear training helps you turn the music you hear into music you make on your guitar. This works for your own musical ideas, too: when you dream up a great riff or chord progression, you naturally want to sit down and play it right away. Ear training helps you do just that. This lesson is broken into several chapters, each of them focusing on two to four related intervals, chords or scales. There are plenty of examples for each interval, chord and scale, so you can work straight through the lesson or hop around as much as you like. The last chapter is a sort of final exam. It brings together all the intervals, chords or scales we've covered and mixes them up for an extra challenge. Give it a go every once in a while to measure your progress. Best of all, every concept we discuss here is played on a real guitar by a real guitarist. Oh, and before I forget, the most important tip of all: have fun! Inside the audiobook: • nice & encouraging female narrator • real guitar recordings throughout • all intervals from prime to octave covered • well chosen interval comparisons • 10+ hours of interval recognition • all triads, i.e., major, minor, suspended, augmented, diminished, covered • all commonly used seventh and ninth chords, e.g., major 7, minor 7, dominant 7, minor major 7, covered • well chosen chord comparisons • 8+ h's of chord recognition • all commonly used scales, i.e., major, minor, dorian phrygian, lydian, mixolydian, locrian, covered • additionally, harmonic & melodic minor, major & minor pentatonic covered • well chosen scale comparisons • 6+ h's of scale recognition