Elm Creek Quilts

Jennifer Chiaverini's bestselling Elm Creek Quilts series starts with The Quilter's Apprentice, a timeless tale of family, friendship, and forgiveness as two women weave the disparate pieces of their lives into a bountiful and harmonious whole, and begin the legacy of the Elm Street Quilters. When Sarah McClure and her husband, Matt, move to Waterford, Pennsylvania, she hopes to make a fresh start in the small college town. Unable to find a job both practical and fulfilling, she takes a temporary position at Elm Creek Manor helping its reclusive owner Sylvia Compson prepare her family estate for sale and after the death of her estranged sister. Sylvia is also a master quilter and, as part of Sarah's compensation, offers to share the secrets of her creative gifts with the younger woman. During their lessons, the intricate, varied threads of Sylvia's life begin to emerge. It is the story of a young wife living through the hardships and agonies of the World War II home front; of a family torn apart by jealousy and betrayal; of misunderstanding, loss, and a tragedy that can never be undone. As the bond between them deepens, Sarah resolves to help Sylvia free herself from remembered sorrows and restore her life-and her home-to its former glory. In the process, she confronts painful truths about her own family, even as she creates new dreams for the future. Just as the darker sections of a quilt can enhance the brighter ones, the mistakes of the past can strengthen understanding and lead the way to new beginnings. A powerful debut by a gifted storyteller, The Quilter's Apprentice tells a timeless tale of family, friendship, and forgiveness as two women weave the disparate pieces of their lives into a bountiful and harmonious whole.

Master Quilter Sylvia Bergstrom Compson treasures an antique quilt called by three names -- Birds in the Air, after its pattern; the Runaway Quilt, after the woman who sewed it; and the Elm Creek Quilt, after the place to which its maker longed to return. That quilter was Joanna, a fugitive slave who traveled by the Underground Railroad to reach safe haven in 1859 at Elm Creek Farm. Though Joanna's freedom proved short-lived -- she was forcibly returned by slave catchers to Josiah Chester's plantation in Virginia -- she left the Bergstrom family a most precious gift, her son. Hans and Anneke Bergstrom, along with maiden aunt Gerda, raised the boy as their own, and the secret of his identity died with their generation. Now it falls to Sylvia -- drawing upon Gerda's diary and Joanna's quilt -- to connect Joanna's past to present-day Elm Creek Manor. Just as Joanna could not have foreseen that, generations later, her quilt would become the subject of so much speculation and wonder, Sylvia and her friends never could have imagined the events Joanna witnessed in her lifetime. Punished for her escape by being sold off to her master's brother in Edisto Island, South Carolina, Joanna grieves over the loss of her son and resolves to run again, to reunite with him someday in the free North. Farther south than she has ever been, she nevertheless finds allies, friends, and even love in the slave quarter of Oak Grove, a cotton plantation where her skill with needle and thread soon becomes highly prized. Through hardship and deprivation, Joanna dreams of freedom and returning to Elm Creek Farm. Determined to remember each landmark on the route north, Joanna pieces a quilt of scraps left over from the household sewing, concealing clues within the meticulous stitches. Later, in service as a seamstress to the new bride of a Confederate officer, Joanna moves on to Charleston, where secrets she keeps will affect the fate of a nation, and her abilities and courage enable her to aid the country and the people she loves most. The knowledge that scraps can be pieced and sewn into simple lines -- beautiful both in and of themselves and also for what they represent and what they can accomplish -- carries Joanna through dark days. Sustaining herself and her family through ingenuity and art during the Civil War and into Reconstruction, Joanna leaves behind a remarkable artistic legacy that, at last, allows Sylvia to discover the fate of the long-lost quilter.

Summer Sullivan, the youngest founding member of Elm Creek Quilts, has spent the last two years pursuing a master's degree in history at the University of Chicago. Her unexpected return home to the celebrated quilter's retreat is met with delight but also concern from her mother, Gwen; her best friend, Sarah; master quilter Sylvia; and her other colleagues, and rightly so. Stymied by writer's block, Summer hasn't finished her thesis, and she can't graduate until she does. Elm Creek Manor offers respite while Summer struggles to meet her extended deadline. She finds welcome distraction in organizing an exhibit of antique quilts as a fundraiser to renovate Union Hall, the 1863 Greek Revival headquarters of the Waterford Historical Society. But Summer's research uncovers startling facts about Waterford's past, prompting unsettling questions about racism, economic injustice, and political corruption within their community, past and present. As Summer's work progresses, quilt lovers and history buffs praise the growing collection, but affronted local leaders demand that she remove all references to Waterford's troubled history. As controversy threatens the exhibit's success, Summer fears that her pursuit of the truth might cost the Waterford Historical Society their last chance to save Union Hall. Her only hope is to rally the quilting community to her cause. “The Museum of Lost Quilts” is a warm and deeply moving story about the power of collective memory. With every fascinating quilt she studies, Summer finds her passion for history renewed, and discovers a promising new future for herself.

A timely celebration of quilting, family, community, and history in this latest novel in the perennially popular Elm Creek Quilts series from New York Times bestselling author Jennifer Chiaverini. As fall paints the Pennsylvania countryside in flaming colors, Sylvia Bergstrom Compson is contemplating the future of her beloved Elm Creek Quilts. The Elm Creek Quilt Camp remains the most popular quilter's retreat in the country, but unexpected financial difficulties have beset them and the Bergstrom family's stately nineteenth-century manor. Now in her eighth decade, Sylvia is determined to maintain her family's legacy, but she needs new resources, financial and emotional. Summer Sullivan, a founding Elm Creek Quilter, arrives to discuss an antique quilt that she wants to display at the Waterford Historical Society's quilt exhibit. When Sylvia and her sister Claudia were teenagers, they had entered a quilt in the Sears National Quilt Contest for the 1933 Century of Progress Exposition, also known as the Chicago World's Fair. The Bergstrom sisters' quilt would be perfect for the Historical Society's exhibit, Summer explains. Sylvia is reluctant to lend out the quilt, which has been stored in the attic for decades, nearly forgotten. In keeping with the contest's "Century of Progress" theme, the girls illustrated progress of values, scenes of the Emancipation Proclamation, woman's suffrage, and labor unions. But although it won ribbons, the quilt also drove a wedge between the sisters. As Sylvia reluctantly retraces her quilt's story for Summer, she makes an unexpected discovery, one that restores some of her faith in this unique work of art and helps shine some light on a way forward for the Elm Creek Quilts community.