Lady Darby Mystery

Lady Kiera Darby helps solve a murder at her sister's isolated country estate, especially since she's the main suspect. But Kiera is determined to both protect her family and prove her innocence, even as she risks becoming the next victim.

After her foray into murder investigation, Lady Kiera Darby must journey to Edinburgh with her family so that her pregnant sister can be close to proper medical care. But the city is full of many things Kiera isn't quite ready to face: the society ladies keen on judging her, her fellow investigator (and romantic entanglement) Sebastian Gage, and ultimately, another deadly mystery.Kiera's old friend Michael Dalmay is about to be married, but the arrival of his older brother, William, has thrown everything into chaos. For ten years Will has been missing, committed to an insane asylum by his own father. Kiera is sympathetic, especially when rumors swirl about a local girl gone missing. Now Kiera must once again employ her knowledge of the macabre and join forces with Gage in order to prove the innocence of a beloved family friend.

Returning to her childhood home, Lady Kiera Darby hopes her beloved brother Trevor and the merriment of the Hogmanay Ball will distract her. But when a caretaker is murdered and a grave is disturbed at nearby Dryburgh Abbey, Kiera is once more thrust into the cold grasp of death.While Kiera knows that aiding in another inquiry will only further tarnish her reputation, her knowledge of anatomy could make the difference in solving the case. But agreeing to investigate means Kiera must deal with the complicated emotions aroused in her by inquiry agent Sebastian Gage. When Gage arrives, he reveals that the incident at the Abbey was not the first-some fiend is digging up old bones and holding them for ransom. Now they must catch the grave robber . . . before another victim winds up six feet under.

Scotland, 1831. After a tumultuous courtship complicated by three deadly inquiries, Lady Kiera Darby is thrilled to have found both an investigative partner and a fiancé in Sebastian Gage. But with her well-meaning-and very pregnant-sister planning on making their wedding the event of the season, Kiera could use a respite from the impending madness. Commissioned to paint the portrait of Lady Drummond, Kiera is saddened when she recognizes the pain in the baroness's eyes. Lord Drummond is a brute, and his brusque treatment of his wife forces Kiera to think of the torment caused by her own late husband. Kiera isn't sure how to help, but when she finds Lady Drummond prostrate on the floor, things take a fatal turn. The physician called to the house and Lord Drummond appear satisfied to rule her death natural, but Kiera is convinced that poison is the real culprit. Now, armed only with her knowledge of the macabre and her convictions, Kiera intends to discover the truth behind the baroness's death-no matter what, or who, stands in her way…

July 1831. In the midst of their idyllic honeymoon in England's Lake District, Kiera and Gage's seclusion is soon interrupted by a missive from her new father-in-law. A deadly incident involving a distant relative of the Duke of Wellington has taken place at an abbey south of Dublin, Ireland, and he insists that Kiera and Gage look into the matter. Intent on discovering what kind of monster could murder a woman of the cloth, the couple travel to Rathfarnham Abbey school. Soon a second nun is slain in broad daylight near a classroom full of young girls. With the sinful killer growing bolder, the mother superior would like to send the students home, but the growing civil unrest in Ireland would make the journey treacherous. Before long, Kiera starts to suspect that some of the girls may be hiding a sinister secret. With the killer poised to strike yet again, Kiera and Gage must make haste and unmask the fiend before their matrimonial bliss comes to an untimely end.

July 1831. It's been fifteen years since Sebastian Gage has set foot in Langstone Manor. Though he has shared little with his wife, Lady Kiera Darby, about his past, she knows that he planned never to return to the place of so many unhappy childhood memories. But when an urgent letter from his grandfather reaches them in Dublin, Ireland, and begs Gage to visit, Kiera convinces him to go. All is not well at Langstone Manor. Gage's grandfather, the Viscount Tavistock, is gravely ill, and Gage's cousin Alfred has suddenly vanished. He wandered out into the moors and never returned. The Viscount is convinced someone or something other than the natural hazards of the moors is to blame for Alfred's disappearance. And when Alfred's brother Rory goes missing, Kiera and Gage must concede he may be right. Now, they must face the ghosts of Gage's past, discover the truth behind the local superstitions, and see beyond the tricks being played by their very own eyes to expose what has happened to Gage's family before the moors claim yet another victim . . .

November 1831. After fleeing London in infamy more than two years prior, Lady Kiera Darby's return to the city is anything but mundane, though not for the reasons she expected. A gang of body snatchers is arrested on suspicion of imitating the notorious misdeeds of Edinburgh criminals, Burke and Hare-killing people from the streets and selling their bodies to medical schools. Then Kiera's past-a past she thought she'd finally made peace with-rises up to haunt her. All of London is horrified by the evidence that "burkers" are, indeed, at work in their city. The terrified populace hovers on a knife's edge, ready to take their enmity out on any likely suspect. And when Kiera receives a letter of blackmail, threatening to divulge details about her late anatomist husband's involvement with the body snatchers and wrongfully implicate her, she begins to apprehend just how precarious her situation is. Not only for herself, but also her new husband and investigative partner, Sebastian Gage, and their unborn child. Meanwhile, the young scion of a noble family has been found murdered a block from his home, and the man's family wants Kiera and Gage to investigate. Is it a failed attempt by the London burkers, having left the body behind, or the crime of someone much closer to home?

Lady Kiera Darby and her husband Sebastian Gage are looking forward to celebrating with new friends at an exciting yearly soiree, but they soon learn that murder never takes a holiday. January 1832. After enjoying a delightful few weeks with her family, expectant mother Kiera and Sebastian Gage have been invited to the Duchess of Bowmont's Twelfth Night party in Traquair, Scotland. Though she normally avoids such fashionable, rambunctious events, Kiera is ready to join in the festive merrymaking. But upon their arrival at the opulent estate, it becomes obvious that all is not merry in their hostess's home. The family appears to be under a great strain, and someone seems determined to cause mayhem among the guests with a series of forged notes. Matters swiftly turn from irksome to downright deadly when the partygoers stumble upon a decomposing body in the castle's crypt. The corpse is thought to be the duchess's son-in-law who had purportedly traveled to Paris more than a month earlier. It is evident the man met with foul play, and Kiera and Gage soon realize that a ruthless murderer walks among them-and may well be a member of the duchess's own family. And when the investigation takes a treacherous turn, Kiera discovers just how deep the killer is willing to dig to keep their secrets from ever seeing the light of day.

Edinburgh, Scotland. March 1832. Kiera and Gage have been eagerly awaiting their bundle of joy but trouble has been brewing in the form of the roguish criminal Bonnie Brock Kincaid. A new book and subsequent play features some of Kincaid's daringly heinous exploits, although he swears he had nothing to do with it or the characters which are obvious representations of Kiera and Gage. While the scoundrel's fury seems genuine, as well as his determined quest to uncover the real identity of the author, the Gages still hold doubts about his innocence. A rash of crimes break out across the city, seemingly inspired by the play and book. When the publisher is found brutally murdered-in an imitation of a gruesome scene-the finger not only points to Bonnie Brock as the possible culprit, but also the Gages, who have been outspoken in their condemnation of the tale. Now, the Gages are on a hunt to unmask the killer. Between the infamy garnered by the play, the cholera outbreak still wreaking havoc throughout the city, and the impending birth of their child, they will need all the resources they can garner.

Argyll, Scotland. July 1832. After a trying few months in Edinburgh, Kiera and her husband and investigative partner, Sebastian Gage, are eager to escape to the Highlands with their three-month-old child. Kiera is overjoyed for her cousin Rye and her detractor-turned-friend Charlotte who are being wed in a private ceremony at the estate of Rye's great-uncle, the Marquess of Barbreck, in what seems to be the perfect wedding party. But when Kiera is invited to peruse Barbreck's extensive art collection, she is disturbed to discover that one of his most priceless paintings seems to be a forgery. The marquess's furious reaction when she dares to mention it leaves her shaken and the entire house shocked. For it turns out that this is not the first time the word forgery has been uttered in connection with the Barbreck household. Matters turn more ominous when a maid from a neighboring estate is found murdered where the forged painting hangs. Is her death connected to the forgeries, perhaps a grisly warning of what awaits those who dare to probe deeper? With unknown entities aligned against them, Kiera and Gage are forced to confront the fact that they may have underestimated their opponent.

New parents Lady Kiera Darby and Sebastian Gage look forward to introducing Sebastian’s father to his granddaughter, but instead find themselves investigating an attempt on his life... Yorkshire, England. August 1832. Relations between Sebastian Gage and his father have never been easy, especially since the discovery that Lord Gage has been concealing the existence of an illegitimate son. But when Lord Gage is nearly fatally attacked on a journey to Scotland, Sebastian and Kiera race to his side. Given the tumult over the recent passage of the Reform Bill and the Anatomy Act, in which Lord Gage played a part, Sebastian wonders if the attack could be politically motivated. But something suspicious is afoot in the sleepy village where Lord Gage is being cared for. The townspeople treat Sebastian and Kiera with hostility when it becomes clear they intend to investigate, and rumors of mysterious disappearances and highway robberies plague the area. Lord Gage’s survival is far from assured, and Sebastian and Kiera must scramble to make the pieces fit before a second attempt at murder is more successful than the first.

Lady Kiera Darby and her dashing husband, Sebastian Gage, hope they've finally found peace after a tumultuous summer, but long-buried family secrets soon threaten to unravel their lives... October 1832. Kiera is enjoying the slower pace of the English countryside. She, Sebastian, and their infant daughter have accompanied her father-in-law, Lord Gage, home so that he can recuperate from the injuries he sustained in a foiled attempt on his life. But as the chill of autumn sweeps across the land, they receive a summons from an unexpected quarter. Lord Gage's estranged uncle, a member of the notorious Roscarrock family-has been murdered, and his family is desperate for answers. Despite Lord Gage's protests, Kiera and Sebastian press on to Cornwall to assist. It isn't long before they discover that almost nothing is as it seems among the Roscarrocks, and they've been lured to their isolated cove under false pretenses. There are whispers of a lost treasure and frightening allusions to a series of murders stretching back decades that touch the lives of the family personally. Kiera and Sebastian are left with no choice but to uncover the truth before the secrets of the past threaten to destroy them all.

July 1833. Lady Darby and her husband, Sebastian Gage, are settling into their newly renovated home at Bevington Park in Warkwickshire with their daughter. With the breach between them and Sebastian's father healed, they've agreed to help host a country house party. Kiera is also anxious to help promote a match between her brother, Trevor, and the woman he's fallen in love with, inviting her family to join them. However, Kiera discovers that the would-be bride's family is not without their detractions. Her brother is unpleasant. Her mother is abrasive. And her father-the prosperous industrialist Jeremiah Birnam-is brusque, discourteous, and, at times, downright rude. So when Mr. Birnam's secretary is found murdered with Birnam standing over her body, many are content to allow him to take the blame. But neither Kiera nor Sebastian believes he did it, and in spite of his bluster and boorish behavior, they can't let an innocent man be hung. Unfortunately, Birnam had his fair share of enemies at the party, and any one of them might have struck out at his secretary. It's up to Kiera and Sebastian to uncover the truth and salvage Birnam's reputation. As the couple slowly inches their way closer to the truth and threats emerge against their loved ones, Kiera begins to fear that the price of solving the crime may mean sacrificing her brother's future happiness.

March 1833. Kiera and her husband, Sebastian Gage, have decided to settle in Edinburgh for the winter with their infant daughter. This also allows Kiera to enjoy long hours painting in her studio, making progress on the portraits she soon hopes to unveil in her own exhibit. She's thrilled when she receives an invitation to the auction of the late Lord Eldin's coveted art collection, and she and Gage eagerly accept. When the floor collapses beneath the gathering, killing one of their fellow bidders, Kiera and Gage are lucky to escape with their lives. It soon becomes apparent that what at first seemed to be a terrible accident is actually something far more nefarious. Someone deliberately compromised the integrity of the structure, though the police are unsure of the culprit's aim. Sergeant Maclean requests Kiera and Gage's assistance in figuring out who would wish to harm the bidders. As they dig deeper, they discover that the victim was not the killer's intended target . . . and that Kiera was lured to the auction. Kiera and Gage must utilize all their resources to unveil a monster willing to risk the lives of dozens of bystanders to achieve their ends. But they're on the verge of making a dire miscalculation. For one of the cleverest tricks in a painter's repertoire is the art of misdirection, and their eyes have been drawn far from the gravest danger.