Lilah Love

FBI agent Lilah Love leads a complicated life. She's engaged to Kane Mendez, a man most call dangerous, but hey birds of a feather, do flock together. She's dangerous, too, and in ways only Kane understands. As for their happily ever after, well that might have to wait. Right now, an old enemy who should be dead is still living, Junior, her mystery letter writer, is stirring up trouble, and her family is trying to prove they're crazier than her. On top of that she has a new case: a dead woman in a bloody wedding dress. And since Lilah knows all too well there is no such thing as coincidence, clearly someone is sending her yet another message. Contains mature themes.

One. Two. Three. The cat is in the tree. As far as Lilah's concerned, her note writing stalker just gets more stupid every day. One, two, three, the cat is in the tree? What is that? And what does it have to do with a wedding turned bloody? Contains mature themes.

Lilah is back home after two weeks away from the big, bad beast that is New York City, and with Kane by her side. The minute the chopper touches down, her phone rings. It's a local medical examiner who has been stalking her online, but then, she soon learns, so is half the city. Seems an online forum has popped up to follow Lilah, her serial killer mentor, and her drug lord husband. Call Lilah irritated as Kane is no drug lord, despite the cartel's wishes that he follow in his father's footsteps, her mentor is dead, and no one knows but those who buried the body. She needs the attention to go away, and now. The worst part, or maybe it's the best is there's yet another serial killer on the loose who's mimicking horror movie killers. Now Lilah has someone to take her anger out on, and arrest, not kill, because good girls don't kill. But then, who said Lilah was a good girl? Contains mature themes.

Sometimes a girl just has to get stabby... Lilah has sworn she's done with that side of her personality. Then again, maybe not. Contains mature themes.

When someone close to Lilah is murdered in what is clearly an assassination, Lilah finds herself looking to Ghost, one of the deadliest assassins in the world. But is Ghost a friend or an enemy? Lilah's about to find out. But Ghost isn't the only one close to Lilah who may well be an enemy. Apparently, the line between friendship and murder, is bloody thin. Contains mature themes.

Lilah's enemies love to taunt her. For some reason, they don't seem to understand how much such things amuse her. For the first time, she faces an opponent just as cold, and highly calculated. Lilah. Ghost. A battle between killers. Contains mature themes.

In front of you, behind you, all around you, killers everywhere. One, two, and three, is it for you or him or them? Red, red, red, red, red, red . . . What the F? Junior is back and stupider than ever. It's all of us and the nonsense is irritating. Of course, I have killers in front of me and all around me. I'm me. Kane is Kane. And both of us came by our bad habits honestly. We have crappy fathers. In other words, I push harmless Junior aside and head to a crime scene, and when I kneel beside the wealthy victim, I glance up to spy a painting that is pretty and one tone-red. When I inquire with the house manager about the artist, she can't remember who painted it, but she does know the name of the painting itself. It's called Red. The color of blood. And now Junior has my attention. Contains mature themes.