New Press People's History

In this compulsively readable social history, political scientist Stephen Pimpare vividly describes poverty from the perspective of poor and welfare-reliant Americans from the big city to the rural countryside. He focuses on how the poor have created community, secured shelter, and found food and illuminates their battles for dignity and respect. Through prodigious archival research and lucid analysis, Pimpare details the ways in which charity and aid for the poor have been inseparable, more often than not, from the scorn and disapproval of those who would help them. In the rich and often surprising historical testimonies he has collected from the poor in America, Pimpare overturns any simple conclusions about how the poor see themselves or what it feels like to be poor-and he shows clearly that the poor are all too often aware that charity comes with a price. It is that price that Pimpare eloquently questions in this book, reminding us through powerful anecdotes, some heart-wrenching and some surprisingly humorous, that poverty is not simply a moral failure.

The most destructive war in human history, World War II continues to generate an astonishingly rich trove of historical material, writings, and first-person recollections, which are essential to any appreciation of this most pivotal of historical events. A People's History of World War II brings the full range of human experience during World War II to life through some of the most vivid accounts and images available anywhere. This concise and accessible volume includes first-person interviews by Studs Terkel; rare archival photographs from the Office of War Information collection; propaganda comics from Theodore Geisel (Dr. Seuss); narratives of wartime experiences from writers including historian Howard Zinn, civil rights activist Robert L. Carter, and celebrated French author Marguerite Duras; and selections from the writings of some of the world's leading historians of the war, including John Dower, Philippe Burrin, David Wyman, and Eric Hobsbawm.

In this long-awaited book from the rising superstar of sportswriting, whose blog "The Edge of Sports" is read each week by thousands of people across the country, Dave Zirin offers a riotously entertaining chronicle of larger-than-life sporting characters and dramatic contests and what amounts to an alternative history of the United States as seen through the games its people played. Through Zirin's eyes, sports are never mere games, but a reflection of-and spur toward-the political conflicts that shape American society. Half a century before Jackie Robinson was born, the black ballplayer Moses Fleetwood Walker brandished a revolver to keep racist fans at bay, then took his regular place in the lineup. In the midst of the Depression, when almost no black athletes were allowed on the U. S. Olympic team, athletes held a Counter Olympics where a third of the participants were African American. A People's History of Sports in the United States is replete with surprises for seasoned sports fans, while anyone interested in history will be amazed by the connections Zirin draws between politics and pop flies. As Jeff Chang, author of Can't Stop Won't Stop, puts it, "After you read him, you'll never see sports the same way again. "

Bottom-up history at its very best, A People's History of the Civil War "does for the Civil War period what Howard Zinn's A People's History of the United States did for the study of American history in general" (Library Journal). Widely praised upon its initial release, it was described as "meticulously researched and persuasively argued" by the Atlanta Journal-Constitution. Historian David Williams has written the first account of the American Civil War though the eyes of ordinary people foot soldiers, slaves, women, prisoners of war, draft resisters, Native Americans, and others. Richly illustrated with little-known anecdotes and first-hand testimony, this pathbreaking narrative moves beyond presidents and generals to tell a new and powerful story about America's most destructive conflict. A People's History of the Civil War is "readable social history" that "sheds fascinating light" (Publishers Weekly) on this crucial period. In so doing it recovers the long-overlooked perspectives and forgotten voices of one of the defining chapters of American history.

From the author Robert Lipsyte calls "the best young sportswriter in America," a rollicking, rebellious, myth-busting history of sports in America that puts politics in the ring with pop culture In this long-waited book from the rising superstar of sportswriting, whose blog Edge of Sports is read each week by thousands of people across the country, Dave Zirin offers a riotously entertaining chronicle of larger-than-life sporting characters and dramatic contests and what amounts to an alternative history of the United States as seen through the games its people played. Through Zirin's eyes, sports are never mere games, but a reflection of-and spur toward-the political conflicts that shape American society. Half a century before Jackie Robinson was born, the black ballplayer Moses Fleetwood Walker brandished a revolver to keep racist fans at bay, then took his regular place in the lineup. In the midst of the Depression, when almost no black athletes were allowed on the U.S. Olympic team, athletes held a Counter Olympics where a third of the participants were African American. A People's History of Sports in the United States is replete with surprises for seasoned sports fans, while anyone interested in history will be amazed by the connections Zirin draws between politics and pop flies. As Jeff Chang, author of Can't Stop Won't Stop, puts it, "After you read him, you'll never see sports the same way again."

Most people outside of the art world view art as something that is foreign to their experiences and everyday lives. A People's Art History of the United States places art history squarely in the rough-and-tumble of politics, social struggles, and the fight for justice from the colonial era through the present day. Author and radical artist Nicolas Lampert combines historical sweep with detailed examinations of individual artists and works in a politically charged narrative that spans the conquest of the Americas, the American Revolution, slavery and abolition, western expansion, the suffragette movement and feminism, civil rights movements, environmental movements, LGBT movements, antiglobalization movements, contemporary antiwar movements, and beyond. A People's Art History of the United States introduces us to key works of American radical art alongside dramatic retellings of the histories that inspired them. Stylishly illustrated with over two hundred images, this book is nothing less than an alternative education for anyone interested in the powerful role that art plays in our society.

The first book of its kind, Hearts and Minds is a scathing response to the grand narrative of U.S. counterinsurgency, in which warfare is defined not by military might alone but by winning the "hearts and minds" of civilians. Dormant as a tactic since the days of the Vietnam War, in 2006 the U.S. Army drafted a new field manual heralding the resurrection of counterinsurgency as a primary military engagement strategy; counterinsurgency campaigns followed in Iraq and Afghanistan, despite the fact that counterinsurgency had utterly failed to account for the actual lived experiences of the people whose hearts and minds America had sought to win. Drawing on leading thinkers in the field and using key examples from Malaya, the Philippines, Vietnam, El Salvador, Iraq, and Afghanistan, Hearts and Minds brings a long-overdue focus on the many civilians caught up in these conflicts. Both urgent and timely, this important book challenges the idea of a neat divide between insurgents and the populations from which they emerge-and should be required reading for anyone engaged in the most important contemporary debates over U.S. military policy.

In A People's History of the U.S. Military, historian Michael A. Bellesiles draws from three centuries of soldiers' personal encounters with combat-through fascinating excerpts from letters, diaries, and memoirs, as well as audio recordings, film, and blogs-to capture the essence of the American military experience firsthand, from the American Revolution to the wars in Iraq and Afghanistan. Military service can shatter and give meaning to lives; it is rarely a neutral encounter, and has contributed to a rich outpouring of personal testimony from the men and women who have literally placed their lives on the line. The often dramatic and always richly textured first-person accounts collected in this book cover a wide range of perspectives, from ardent patriots to disillusioned cynics; barely literate farm boys to urbane college graduates; scions of founding families to recent immigrants, enthusiasts, and dissenters; women disguising themselves as men in order to serve their country to African Americans fighting for their freedom through military service. A work of great relevance and immediacy-as the nation grapples with the return of thousands of men and women from active military duty-A People's History of the U.S. Military will become a major new touchstone for our understanding of American military service.

The first book of its kind, Hearts and Minds is a scathing response to the grand narrative of U.S. counterinsurgency, in which warfare is defined not by military might alone but by winning the "hearts and minds" of civilians. Dormant as a tactic since the days of the Vietnam War, in 2006 the U.S. Army drafted a new field manual heralding the resurrection of counterinsurgency as a primary military engagement strategy; counterinsurgency campaigns followed in Iraq and Afghanistan, despite the fact that counterinsurgency had utterly failed to account for the actual lived experiences of the people whose hearts and minds America had sought to win. Drawing on leading thinkers in the field and using key examples from Malaya, the Philippines, Vietnam, El Salvador, Iraq, and Afghanistan, Hearts and Minds brings a long-overdue focus on the many civilians caught up in these conflicts. Both urgent and timely, this important book challenges the idea of a neat divide between insurgents and the populations from which they emerge-and should be required reading for anyone engaged in the most important contemporary debates over U.S. military policy.

The most destructive war in human history, World War II continues to generate an astonishingly rich trove of historical material, writings, and first-person recollections, which are essential to any appreciation of this most pivotal of historical events. A People's History of World War II brings the full range of human experience during World War II to life through some of the most vivid accounts and images available anywhere. This concise and accessible volume includes first-person interviews by Studs Terkel; rare archival photographs from the Office of War Information collection; propaganda comics from Theodore Geisel (Dr. Seuss); narratives of wartime experiences from writers including historian Howard Zinn, civil rights activist Robert L. Carter, and celebrated French author Marguerite Duras; and selections from the writings of some of the world's leading historians of the war, including John Dower, Philippe Burrin, David Wyman, and Eric Hobsbawm.

Most people outside of the art world view art as something that is foreign to their experiences and everyday lives. A People's Art History of the United States places art history squarely in the rough-and-tumble of politics, social struggles, and the fight for justice from the colonial era through the present day. Author and radical artist Nicolas Lampert combines historical sweep with detailed examinations of individual artists and works in a politically charged narrative that spans the conquest of the Americas, the American Revolution, slavery and abolition, western expansion, the suffragette movement and feminism, civil rights movements, environmental movements, LGBT movements, antiglobalization movements, contemporary antiwar movements, and beyond. A People's Art History of the United States introduces us to key works of American radical art alongside dramatic retellings of the histories that inspired them. Stylishly illustrated with over two hundred images, this book is nothing less than an alternative education for anyone interested in the powerful role that art plays in our society.