Rachel Savernake

The first Golden Age-style mystery in the Rachel Savernake series... How close can one person get to a cruel justice system before falling victim to it? London, 1930 Sooty, sulfurous, and malign: no woman should be out on a night like this. A spate of violent deaths, the details too foul to print, has horrified the capital and the smog-bound streets are deserted. But Rachel Savernake, the enigmatic daughter of a notorious hanging judge, is no ordinary woman. To Scotland Yard's embarrassment, she solved the Chorus Girl Murder, and now she's on the trail of another killer. Jacob Flint, a young newspaperman temporarily manning The Clarion's crime desk, is looking for the scoop that will make his name. He's certain there is more to the Miss Savernake's amateur sleuthing than meets the eye. He's not the only one. Flint's pursuit of Rachel Savernake will draw him ever deeper into a labyrinth of deception and corruption. Murder-by-murder, he'll be swept ever closer to its dark heart-and to the gallows themselves. Dark, atmospheric, and hearkening back to the Golden Age mysteries, “Gallows Court” is: • Perfect for fans of Sherry Thomas and Sophie Hannah. • For readers who enjoy British crime mysteries and historical fiction.

Next in the Rachel Savernake series comes Mortmain Hall, perfect for fans of the Golden Age of mystery and readers of Anthony Horowitz and Sherry Thomas. Framed for murder and with nowhere to go, Jacob Flint turns to an eclectic group of people on a remote estate to save him... 1930. A chilling encounter on London's Necropolis Railway leads to murder and a man escapes the gallows after a witness gives sensational evidence. After this string of strange, fatal events, journalist Jacob Flint discovers that he has been framed for murder. To save himself, he flees to Mortmain Hall, a remote estate on the northern coast. There, an eccentric female criminologist hosts a gathering of eclectic people who have all escaped miscarriages of cruel justice. This strange group puts Jacob a little on edge, but they may be his only hope to clear his name. When a body is found beneath the cliffs near the house, it seems this gathering might be an ingenious plot to get away with murder. Are these eccentrics victims or are they orchestrators of the great deception? Jacob must now set out to uncover the labyrinthine of secrets within Mortmain Hall, alongside Rachel Savernake, woman whose relentless quest for the truth might just bring down the British establishment...

Rachel Savernake investigates a bizarre locked-room puzzle in this delicious and dazzling Gothic mystery from a winner of the CWA Diamond Dagger. 1930. Nell Fagan is a journalist on the trail of an intriguing and bizarre mystery: in 1606, a man vanished from a locked gatehouse in a remote Yorkshire village, and 300 years later, it happened again. Nell confides in the best sleuth she knows, judge's daughter Rachel Savernake. Thank goodness she did, because barely a week later Nell disappears, Rachel is left to put together the pieces of the puzzle. Looking for answers, Rachel travels to lonely Blackstone Fell in Yorkshire, with its eerie moor and sinister tower. With help from her friend Jacob Flint, who's determined to expose a fraudulent clairvoyant, Rachel will risk her life to bring an end to the disappearances and bring the truth to light. A dazzling mystery peopled by clerics and medics, reporters and rogues, this book explores the shadowy borderlands between the spiritual and scientific, sanity and madness, and virtue and deadly sin. A locked gatehouse, a fraudulent medium, and corruption at a sanatorium are just the beginning...

Combining the best of Golden Age crime fiction with the pacing of a modern thriller, the next installment of the beloved Rachel Savernake Golden Age Mysteries will hook readers immediately with its shocking and gruesome first twist, then keep them turning pages almost faster than the bodies drop. I want you to solve my murder, said the woman in white. Rachel Savernake gave a sardonic smile. Quite a challenge. The woman in white, surreal artist Damaris Gethin, has invited a select group to the opening of her exhibit Artist in Crime, held in the eerie subterranean Hades Gallery. As costumed models reenact famously violent deaths, the artist herself portrays Marie Antoinette on the day of her execution, complete with a guillotine on the stage. It's not a prop; within ten minutes of Rachel's promise to solve Damaris's future murder, the artist slips her neck into the collar of the device and the very real blade sends her head rolling at the feet of her horrified audience. As everyone reels from the shock, Rachel quickly learns that Damaris herself accomplished the deed with the push of a button, a suicide. So then why did she ask Rachel to solve her murder? Keen for the hunt, Rachel begins sniffing around the other invited guests, including a former lover with shady financial dealings, his widowed sister-in-law, and her has-been songwriter friend. Meanwhile, crime reporter Jacob Flint, also in attendance, in hopes of meeting celebrated French beauty Kiki de Villiers, allows his fascination with her to endanger his own life when a ruthless gangster returns to London, looking to take back what's his. Equal parts thriller and whodunit, “The House on Graveyard Lane” leads Rachel and Jacob into a viper's pit of suspects, each sneakier and more venomous than the last.