Regional

On February 5, 2006, the Pittsburgh Steelers joined the ranks of the elite teams in National Football League history, celebrating their fifth Super Bowl victory. From an unspectacular 7-5 start, to completing the greatest playoff run ever, to the fairy tale ending of Jerome Bettis's Hall of Fame career and the vindication of Bill Cowher's coaching tenure, the 2005 season was not only one for the thumb, but "truly one for the ages."One for the Thumb is a collection of the best writing about the fabled franchise by local and national sportswriters, and former players. It covers the team's history from Art Rooney Sr.'s purchase of the NFL franchise in 1933 for $2,500 to their Super Bowl XL victory. From their frustrating early days as the Pirates, Steagles, and Card-Pitts, through their four Super Bowl wins in the 1970s, to the fateful day in 2004 when they selected Ben Roethlisberger as the eleventh overall pick in the draft, One for the Thumb captures the essence of the team whose identity is forever linked with the spirit of the hardworking, blue-collar city it represents. From immortals Bobby Layne, Ernie Stautner, and John Henry Johnson, to Chuck Noll, Terry Bradshaw, Mean Joe Greene, Rocky Bleier, and Neil O'Donnell, to current greats Troy Polamalu, Jerome Bettis, Ben Roethlisberger, and Bill Cowher, One for the Thumb is the definitive anthology of the Pittsburgh Steelers-a must-read for all fans of the team and the game of football.

At the end of the nineteenth century, Pittsburgh was leading the nation in glass production, and glass bottle plants in particular relied heavily on adolescent (and younger) males for their manufacturing process. These "glass house boys" worked both day and night, as plants ran around the clock to meet production demands and remain price competitive with their newly-automated rivals. Boys performed menial tasks, received low wages, and had little to say on their own behalf. By the turn of the century, most states had enacted laws banning children from working at night, and coupled with compulsory education requirements, had greatly reduced the use of children in industry. In western Pennsylvania, however, child labor was deeply entrenched, and Pennsylvania lawmakers lagged far behind the rest of the nation. In The Glass House Boys of Pittsburgh, James L. Flannery presents an original and compelling examination of legislative clashes over the singular issue of the glass house boys. He reveals the many societal, economic, and political factors at work that allowed for the perpetuation of child labor in this industry and region. Through extensive research in Pennsylvania state legislature archives, National Child Labor Committee reports, and union and industry journals, Flannery uncovers a complex web of collusion between union representatives, industrialists, and legislators that kept child labor reform at bay. Despite national pressure, a concerted effort by reformers, and changes to education laws, the slow defeat of the "glass house exception" in 1915 came about primarily because of technological advances in the glass bottle industry that limited the need for child labor.

Playwright August Wilson is best known for his American Century Cycle, a sequence of ten plays-including the Pulitzer Prize–winning Fences and The Piano Lesson-that chronicle the lives of Black Americans in each decade of the twentieth century. But behind the celebrated plays stands a complex man shaped by his hometown's vibrant Black culture. In August Wilson's American Century: Life as Art, Laurence A. Glasco, one of the foremost historians of Black life in Pittsburgh, draws on Wilson's early poetry, archival material, and original interviews with family members, neighbors, and friends to show how the city and its residents shaped the playwright and his work. Wilson's overlapping identities as an outsider, warrior, race man, and poet helped him persevere in the face of setbacks, weave real-life observations with his poetry to craft memorable dialogue and compelling characters, and portray the realities of race in America in ways that have resonated with theatergoers and readers ever since. Glasco uncovers the story of how the people and places of Pittsburgh remained with Wilson after he left his hometown, shining through in a body of work that brought the struggles and triumphs of the Black experience to a wide audience and changed American theater for the better.