Southern Cultures
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Southern Cultures
by Harry L. Watson
Part 19 of the Southern Cultures series
In the Summer 2013 issue of Southern Cultures:
Dixie Bohemians and Inner Hillbillies. Poutin' Houses and Moon Pies. The economics of slavery and the integrity of farming. The Wilmington Insurrection and Wednesday morning miracles. The Summer Issue promises more of what Southern Cultures does best: southern lives, real and imagined, re-imagined.
Southern Cultures is published quarterly (spring, summer, fall, winter) by the University of North Carolina Press. The journal is sponsored by the University of North Carolina at Chapel Hill's Center for the Study of the American South.
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Mountain Feminist: Helen Matthews Lewis, Appalachian Studies, and the Long Women's Movement
From Southern Cultures, Volume 17: Number 3, Fall 2011: Memory
by Jessica Wilkerson
Part of the Southern Cultures series
Voices from the Southern Oral History Program Mountain FeministHelen Matthews Lewis, Appalachian Studies, and the Long Women's Movementfrom an interview by Jessica Wilkersoncompiled and introduced by Jessica Wilkerson and David P. ClineThe "Grandmother of Appalachian Studies" reveals the parallels between the Civil Rights and Women's movements, as well as her highly ambivalent feelings about her own marriage-and much more."They didn't take us to jail. They pulled us out individually, and the policeman said to me, 'What would your daddy think if he saw you dancing with a nigger?'"
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Big Bone Lick, Big Talk, and Flush
From Southern Cultures, Volume 17: Number 3, Fall 2011: Memory
by Robert Morgan
Part of the Southern Cultures series
Mason-Dixon Lines "Big Bone Lick," "Big Talk," and "Flush" poetry by Robert MorganRobert Morgan drives home a similar message with three poems. They address "memory" on the grandest scale- not merely familial or communal but epochal and even geologic." . . . for ten millennia, the bonesseemed wreckage from a mighty dream . . . "
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Southern Cultures: The Special Issue on Food
by Harry L. Watson
Part of the Southern Cultures series
In the Spring 2012 issue of Southern Cultures…Guest editor Marcie Cohen Ferris brings together some of the best new writing on Southern food for the Summer 2012 issue of Southern Cultures , which features an interview with TREME writer Lolis Elie and Ferris's own retrospective on Southern sociology, the WPA, and Food in the New South. The Food issue includes Rebecca Sharpless on Southern women and rural food supplies, Bernard Herman on Theodore Peed's Turtle Party, Will Sexton's "Boomtown Rabbits: The Rabbit Market in Chatham County, North Carolina," Courtney Lewis on how the "Case of the Wild Onions" paved the way for Cherokee rights, poetry by Michael Chitwood, and much more.Southern Cultures is published quarterly (spring, summer, fall, winter) by the University of North Carolina Press. The journal is sponsored by the University of North Carolina at Chapel Hill's Center for the Study of the American South.
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Southern Cultures: 2013 Global Southern Music Issue, Enhanced Ebook
by Harry L. Watson
Part of the Southern Cultures series
The Global Southern Music Issue enhanced eBook include all the tracks on Traveling Shoes, our special free CD and:The South meets Senegal as hip-hop goes Trans-Atlantic.Hawaiian steel guitar sways the Southern musical landscape.Poet Allen Ginsberg and bluesman James "Son" Thomas trade verses.Aussie Elvis impersonators keep the king alive.A U.K. scholar offers a new perspective on the study of the blues.Music pirates keep alive another tradition of bootlegging in the South.And much more.Southern Cultures is published quarterly (spring, summer, fall, winter) by the University of North Carolina Press. The journal is sponsored by the University of North Carolina at Chapel Hill's Center for the Study of the American South.
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Southern Snow
From Southern Cultures Volume 18: Number 1, Spring 2012
by Nancy Hatch Woodward
Part of the Southern Cultures series
There's a silence in a snowy dawn that forces you to look anew at what has been transformed from the customary landscape of your day-to-day life. Dogwoods glisten in their silver finery; bowing fir limbs form a secret cathedral."This article appears in the Spring 2012 issue of Southern Cultures. The full issue is also available as an ebook.Southern Cultures is published quarterly (spring, summer, fall, winter) by the University of North Carolina Press. The journal is sponsored by the University of North Carolina at Chapel Hill's Center for the Study of the American South.
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Southern Cultures
by Harry L. Watson
Part of the Southern Cultures series
Southern Cultures Volume 20: Number 1 – Summer 2014Table of ContentsFront Porchby Jocelyn R. Neal"One of the challenges-and, simultaneously, deep pleasures-of studying the South is that the disciplinary walls of the academy neither contain nor constrain the work."Rewriting ElizabethA Life Lost (and Found) in the Annals of Bryce Mental Hospitalby Lindsay Byron"Her name was never to be spoken. Even upon the lips and within the hearts of her own children, remembrance was forbidden. Silence nearly erased her from history."Ghosts, Wreckers, and Rotten TiesThe 1891 Train Wreck at Bostian's Bridgeby Scott Huffard"When train number nine on the Western North Carolina Railroad tumbled off Bostian's Bridge in 1891, it ignited a media frenzy, as well as a firestorm of outrage, a detailed investigation, a compelling mystery, and a series of unanswered questions."Photo EssayTeenage Pastimeby Natalie Minik"When the unlimited energy of adolescence comes to bear on the limited experience of childhood, the results often swing toward one of two poles-an enthusiastic confirmation of the culture a child grew into or a bold rejection of the culture they grew out of.""The Best Notes Made the Most Votes"W. C. Handy, E. H. Crump, and Black Music as Politicsby Mark A. Johnson"'Feet commenced to pat. A moment later there was dancing on the sidewalks below. Hands went into the air, bodies swayed like the reeds on the banks of the Congo.'"Taking Strong Drinkby Bill Koon"Some devout Baptists complained that there was too much booze in a mini bottle for one drink; the rest of us complained that there wasn't enough."South PollsPartisan Change in Southern State Legislatures, 1953–2013by Christopher A. Cooper and H. Gibbs Knotts"At mid-century, the South had no Republican senators and only two Republicans in the 105-person southern House delegation. By 2000, [both] delegations were majority Republican."Beyond Grits and GravyMaggie and BuckCoal Camps, Cabbage Rolls, and Community in Appalachiaby Donna Tolley Corriher"Maggie's neighbor-women saw a young woman just like themselves, with children to feed, trying to build a life, and so they helped her, unquestioning in recognition that she would help them in return. This was so."Not ForgottenWinning Friends and Influencing Dead Peopleby JL Strickland"Joe cackled fiendishly, addressing Vernon through the closed lid. 'Who's got the last laugh now, big boy?'"Mason–Dixon LinesApple Slicespoetry by Todd Boss". . . flavored of tin fromthe lip of the cupof a dented thermospassed between us-"BooksElaine Neil OrrA Different Sun: A Novel of Africareviewed by Fred HobsonJennifer Rae GreesonOur South: Geographic Fantasy and the Rise of National Literaturereviewed by Michael McCollumAngela C. HalfacreA Delicate Balance: Constructing a Conservation Culture in the South Carolina Lowcountryreviewed by Brian GrabbatinAbout the Contributors
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The Cruel Radiance of the Obvious
From Southern Cultures, Volume 17: Number 2, Summer 2011: Photography
by Tom Rankin
Part of the Southern Cultures series
This introductory essay uses William Eggleston as the point of entry to preview the entire photography issue and includes striking photographs from Ansel Adams, Walker Evans, Dorothea Lange, and Susan Harbage Page-as well as exploring the stunning work of Paul Kwilecki. "Photography in its finest and most decisive moments is about those tired or ignored or unseen parts of our lives, the mundane and worn paths that sit before us so firmly that we cease to notice. It is, we might say, about rebuilding our sight in the face of blindness, of recovering our collective vision." This article appears in the Summer 2011 issue of Southern Cultures: The Photography Issue.
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Southern Cultures: 2011 Music Issue, Enhanced Ebook
by Harry L. Watson
Part of the Southern Cultures series
The Music Issue enhanced eBook include all the tracks on our special CD and:The tell-all letter from a teenage girl who kissed-and kissed-Elvis Presley How corruption and greed made the Jacksonville music scene Gretchen Wilson, country music's "Redneck Woman" The invaluable social spaces of African American record storesBobby Rush, "bluesman-plus" Where Opryland resides in hearts, minds, and souls Backstage with the Avett Brothers, Doc Watson, Tift Merritt, Southern Culture on the Skids, the Carolina Chocolate Drops, Johnny Cash, and more great artists. This enhanced eBook also contains Loving, Leaving, Liquor, and the Lord, which is packed with tracks from the Avett Brothers, Doc and Merle Watson, Archers of Loaf, and many more amazing Southern musicians--old and new.Southern Cultures is published quarterly (spring, summer, fall, winter) by the University of North Carolina Press. The journal is sponsored by the University of North Carolina at Chapel Hill's Center for the Study of the American South.
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Southern Cultures
by Harry L. Watson
Part of the Southern Cultures series
In the Spring 2012 issue of Southern Cultures…Blood rains. Snow falls. Bourbon makes the man. Irish Americans redefine black and white. Camp Wah-Kon-Dah glows in the embers of old memories. The great teacher Arthur Raper opens minds, hearts, and doors. And the creative spaces of geniuses await the next act.Table of ContentsFront Porch by Harry L. Watson"What happens to frontier manhood when blacks, women, and gays drink bourbon too-and white fraternity boys get stuck with Smirnoff Ice from time to time?"Every Ounce a Man's Whiskey?: Bourbon in the White Masculine Southby Sean S. McKeithan"The hot bite of the Bourbon sensuously connects the body of the drinker to nation, region, and locale, enjoining his experience with those of imagined, historical bodies, soaking up space and place in the slow burn of what appears an endless southern summertime."Native Ground: Photographs by Rob McDonald"If convention has it right, these are writers who bear something close to a geneticpredisposition to produce a literature suffused with place."Turned Inside Out: Black, White, and Irish in the Southby Bryan Giemza"As a place where Black and Green were in perpetual contact, the Atlantic South furnishes an ideal case study in how these peoples moved with, against, and around one another.""God First, You Second, Me Third": An Exploration of "Quiet Jewishness"at Camp Wah- Kon- Dahby Marcie Cohen Ferris"This was an anxious time for American Jews, stung by the anti- Semitic quotas and discrimination of the interwar years and the growing horror regarding the fate of European Jewry as the Holocaust came to light in the 1940s.""A Mind- Opening Influence of Great Importance": Arthur Raper at Agnes Scott Collegeby Clifford M. Kuhn"He was such an eye- opener to me . . . such a reversal of the whole way you think about lifeand society.""For the Scrutiny of Science and the Light of Revelation": American Blood Fallsby Tom Maxwell"Showers of blood, however dreadful, were not news. Pliny, Cicero, Livy, and Plutarch mentioned rains of blood and flesh. Zeus makes it rain blood, 'as a portent of slaughter,'in Homer's Iliad."Mason- Dixon Lines BourbonPoetry by R. T. Smith". . . Earl was a steady liar who never in his life solved a single crime, to hear my father tell it, an improvident soul prone to nocturnal misdemeanors himself . . ."Southern Snowby Nancy Hatch Woodward"There's a silence in a snowy dawn that forces you to look anew at what has been transformed from the customary landscape of your day- to- day life. Dogwoods glisten in their silver finery; bowing fir limbs form a secret cathedral."Southern Cultures is published quarterly (spring, summer, fall, winter) by the University of North Carolina Press. The journal is sponsored by the University of North Carolina at Chapel Hill's Center for the Study of the American South.
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Southern Cultures
by Harry L. Watson
Part of the Southern Cultures series
The Winter 2014 Issue brings us duels and Dashboard Poets, eels and fauxvillages, a beloved television icon, interviews with liberal hero Walter Mondaleand conservative activist Jack Kershaw, Civil War battlefi eld monuments, andmore. From familiar faces and famous legends to humble commemorationsand invented histories, we explore the tensions between preservation andprogress that have forged the region as we know it.
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Native Ground
From Southern Cultures, Volume 18: Number 1, Spring 2012
by Rob McDonald
Part of the Southern Cultures series
If convention has it right, these are writers who bear something close to a genetic predisposition to produce a literature suffused with place."This article appears in the Spring 2012 issue of Southern Cultures. The full issue is also available as an ebook.Southern Cultures is published quarterly (spring, summer, fall, winter) by the University of North Carolina Press. The journal is sponsored by the University of North Carolina at Chapel Hill's Center for the Study of the American South.
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Tradition, Treme, and the New Orleans Renaissance: Lolis Eric Elie interviewed by Sara B. Franklin
From Southern Cultures: Number 2, Summer 2012: The Special Issue On Food
by Sara B. Franklin
Part of the Southern Cultures series
I see the participatory nature of food in New Orleans as being in the dishes. My guess is that none of the fine chefs in town would accept the challenge of putting their gumbo against somebody's mother's gumbo.
This article appears in the Summer 2012 issue of Southern Cultures. The full issue is also available as an ebook.
Southern Cultures is published quarterly (spring, summer, fall, winter) by the University of North Carolina Press. The journal is sponsored by the University of North Carolina at Chapel Hill's Center for the Study of the American South.
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Southern Cultures
Winter 2010
by Harry L. Watson
Part of the Southern Cultures series
In the Winter 2010 issue of Southern Cultures:Hal Crowther takes on H.L. Mencken (and Rush Limbaugh, too);Southerners battle hornets, rattlesnakes, and bears-so they can pick blackberries;Cowboy Troy crosses country music with hip-hop and says his belt buckle is bling;The experts redraw the boundaries of North and South;The Home of the Double-Headed Eagle rises amidst a line of shotgun shacks;and much more.Southern Cultures is published quarterly (spring, summer, fall, winter) by the University of North Carolina Press. The journal is sponsored by the University of North Carolina at Chapel Hill's Center for the Study of the American South.
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Chocolate Pie
Poetry From Southern Cultures, Volume 18: Number 2, Summer 2012: The Special Issue On Food
by Michael Chitwood
Part of the Southern Cultures series
Chocolate PiePoetry by Michael Chitwood "The woman who made ithadn't been to churchin years . . ."This article appears in the Summer 2012 issue of Southern Cultures. The full issue is also available as an ebook.Southern Cultures is published quarterly (spring, summer, fall, winter) by the University of North Carolina Press. The journal is sponsored by the University of North Carolina at Chapel Hill's Center for the Study of the American South.
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Southern Cultures
by Harry L. Watson
Part of the Southern Cultures series
In the Spring 2010 issue of Southern Cultures, we float down the Redneck Riviera with Harvey H. Jackson III and along Roanoke Island with Bland Simpson, we cross the border with Susan Harbage Page, we examine gender and sexuality at the Citadel with Steve Estes, and we consider our sense of place with William W. Falk and Susan Webb.
Southern Cultures is published quarterly (spring, summer, fall, winter) by the University of North Carolina Press. The journal is sponsored by the University of North Carolina at Chapel Hill's Center for the Study of the American South.
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"For the Scrutiny of Science and the Light of Revelation": American Blood Falls
From Southern Cultures, Volume 18: Number 1, Spring 2012
by Tom Maxwell
Part of the Southern Cultures series
Showers of blood, however dreadful, were not news. Pliny, Cicero, Livy, and Plutarch mentioned rains of blood and flesh. Zeus makes it rain blood, 'as a portent of slaughter,' in Homer's Iliad."This article appears in the Spring 2012 issue of Southern Cultures. The full issue is also available as an ebook.Southern Cultures is published quarterly (spring, summer, fall, winter) by the University of North Carolina Press. The journal is sponsored by the University of North Carolina at Chapel Hill's Center for the Study of the American South.
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Theodore Peed's Turtle Party
From Southern Cultures: Number 2, Summer 2012: The Special Issue on Food
by Bernard L. Herman
Part of the Southern Cultures series
There's only one piece of white meat in him and that's his neck. The rest of the meat is dark meat. If you fry it, it's still like a white piece of meat, like a chicken breast. The rest of it looks like a chicken leg.
This article appears in the Summer 2012 issue of Southern Cultures. The full issue is also available as an ebook.
Southern Cultures is published quarterly (spring, summer, fall, winter) by the University of North Carolina Press. The journal is sponsored by the University of North Carolina at Chapel Hill's Center for the Study of the American South.
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Southern Cultures
The Fifteenth Anniversary Reader
by Harry L. Watson
Part of the Southern Cultures series
What does "redneck" mean? What's going to happen to the southern accent? What makes black southerners laugh? What is "real" country music? These are the kinds of questions that pop up in this collection of notable essays from Southern Cultures, the journal of the Center for the Study of the American South at the University of North Carolina at Chapel Hill. Intentionally plural, Southern Cultures was founded in 1993 to present all sides of the American South, from sorority sisters to Pocahontas, from kudzu to the blues.This volume collects 27 essays from the journal's first fifteen years, bringing together some of the most memorable and engaging essays as well as some of those most requested for use in courses. A stellar cast of contributors discusses themes of identity, pride, traditions, changes, conflicts, and stereotypes. Topics range from black migrants in Chicago to Mexican immigrants in North Carolina, from Tennessee wrestlers to Martin Luther King, from the Civil War to contemporary debates about the Confederate flag. Funny and serious, historical and contemporary, the collection offers something new for every South-watcher, with fresh perspectives on enduring debates about the people and cultures of America's most complex region.Contributors: Derek H. Alderman, East Carolina UniversityDonna G'Segner Alderman, Greenville, North CarolinaS. Jonathan Bass, Samford UniversityDwight B. Billings, University of KentuckyCatherine W. Bishir, Preservation North CarolinaKathleen M. Blee, University of PittsburghElizabeth Boyd, Vanderbilt UniversityJames C. Cobb, University of GeorgiaPeter A. Coclanis, University of North Carolina at Chapel HillJoseph Crespino, Emory UniversityDrew Gilpin Faust, Harvard Universityfranklin forts, University of GeorgiaDavid Goldfield, University of North Carolina at CharlotteLarry J. Griffin, University of North Carolina at Chapel HillAdam Gussow, University of MississippiTrudier Harris, University of North Carolina at Chapel HillPatrick Huber, University of Missouri-RollaLouis M. Kyriakoudes, University of Southern MississippiMelton McLaurin, University of North Carolina at Wilmington Michael Montgomery, University of South CarolinaSteve Oney, Los Angeles, CaliforniaTheda Perdue, University of North Carolina at Chapel HillDan Pierce, University of North Carolina at AshevilleJohn Shelton Reed, University of North Carolina at Chapel HillMart Stewart, Western Washington UniversityThomas A. Tweed, University of North Carolina at Chapel HillTimothy B. Tyson, Duke UniversityAnthony Walton, Bowdoin CollegeHarry L. Watson, University of North Carolina at Chapel HillCharles Reagan Wilson, University of MississippiC. Vann Woodward (1908-1999)The contributors are Derek H. Alderman, Donna G'Segner Alderman, S. Jonathan Bass, Dwight B. Billings, Catherine W. Bishir, Kathleen M. Blee, Elizabeth Boyd, James C. Cobb, Peter A. Coclanis, Joseph Crespino, Drew Gilpin Faust, franklin forts, David Goldfield, Larry J. Griffin, Adam Gussow, Trudier Harris, Patrick Huber, Louis M. Kyriakoudes, Melton McLaurin, Michael Montgomery, Steve Oney, Theda Perdue, Dan Pierce, John Shelton Reed, Mart Stewart, Thomas A. Tweed, Timothy B. Tyson, Anthony Walton, Harry L. Watson, Charles Reagan Wilson, and C. Vann Woodward.-->
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"Boomtown Rabbits": The Rabbit Market in Chatham County, North Carolina, 1880-1920
From Southern Cultures: Number 2, Summer 2012: The Special Issue On Food
by Will Sexton
Part of the Southern Cultures series
Although the same cottontails flourished across the region, Chatham County turned its rabbits into something like a regional brand, recognized throughout the South and along the eastern seaboard. By the end of the nineteenth century, Siler City had become the de facto rabbit capital of the southeast.
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Southern Cultures: Volume 15 Omnibus
Includes all four issues of Southern Cultures, Volume 15, including The Food and Music Issues
by Harry L. Watson
Part of the Southern Cultures series
This Omnibus E-book brings together all four issues of Southern Cultures Volume 15, published in 2009.Volume 15 of Southern Cultures explores Lee's Tomb, how Southern evangelicals kept sin from sacred spaces, the power of memorials, W.E.B. Du Bois's unusual connection to the United Daughters of the Confederacy, sundown towns, the African American architect who designed one of the South's elite institutions during Jim Crow, and both the Mississippi Delta and Core Sound Workboats in photographs. It also includes two theme issues with multimedia content, "The Edible South" and "Music." "The Edible South," our first food issue, includes the favorite foods of our favorite writers, Drum Head Stew from the Eastern Shore of Virginia, girls' tomato clubs, Wormsloe plantation, select short films on food from our friends at the Southern Foodways Alliance on the bonus DVD, and more. Our Fall special issue is our third music issue includes a never-before-published interview with "Son" Thomas, a brief history of the boogie, Ella May Wiggins, Top Ten best of jazz, blues, country, and rock greats, Emmett Till in music and song, and more. Enhanced with the 20 music tracks from the bonus CD, "Cool-Water Music," it brings together yet another eclectic mix of folk, blues, country, and alternative rock, from Pete Seeger to Whistlin' Britches to Charlie Louvin and George Jones to the Rosebuds. A feast!Southern Cultures is published quarterly (spring, summer, fall, winter) by the University of North Carolina Press. The journal is sponsored by the University of North Carolina at Chapel Hill's Center for the Study of the American South.
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Southern Cultures: The Help Special Issue
by Harry L. Watson
Part of the Southern Cultures series
Southern Cultures: The Help Special IssueVolume 20: Number 1 – Spring 2014Table of ContentsFront Porch, by Harry L. Watson"Lauded for her endless gifts and selfless generosity, Mammy is summoned from the kitchen to refute the critics of southern race relations; cruelly circumscribed and taken for granted, she silently confirms them all."The Divided Reception of The Helpby Suzanne W. JonesThe more one examines the reception of The Help, the less one is able to categorize the reception as divided between blacks and whites or academics and general readers or those who have worked as domestics and those who haven't.Black Women's Memories and The Helpby Valerie Smith"Cultural products-literary texts, television series, films, music, theatre, etc.-that look back on the Movement tell us at least as much about how contemporary culture views its own racial politics as they do about the past they purport to represent, often conveying the fantasy that the United States has triumphed over and transcended its racial past.""A Stake in the Story": Kathryn Stockett's The Help, Ellen Douglas's Can't Quit You, Baby, and the Politics of Southern Storytellingby Susan V. Donaldson"Like The Help, Can't Quit You, Baby focuses on the layers of habit, antipathy, resentment, suspicion, attachment, and silence linking white employer and black employee, but in ways that are far more unsettling.""We Ain't Doin' Civil Rights": The Life and Times of a Genre, as Told in The Helpby Allison Graham"Perhaps because the modern Civil Rights Movement and television news came of age together, the younger medium was destined to become an iconographic feature of the civil rights genre."Every Child Left Behind: Minny's Many Invisible Children in The Helpby Kimberly Wallace-Sanders"The question arises: wouldn't the mammy characters be rendered more believable in their altruism if it extended beyond white children to all children?"Kathryn Stockett's Postmodern First Novelby Pearl McHaney"Pleasure and anger are dependent on one another for heightened authenticity. Discussing The Help with delight and outrage seems just the right action."Not Forgotten: Twenty-Five Years Out from Telling MemoriesConversations Between Mary Yelling and Susan Tuckercompiled and introduced by Susan Tucker"I am glad she used what the women told us and made something different from it. She made people listen. I know it is fiction, and I know not everyone liked it, but she made people not forget. What more can you want?"Mason-Dixon LinesPrayer for My Childrenpoetry by Kate DanielsAbout the ContributorsSouthern Cultures is published quarterly (spring, summer, fall, winter) by the University of North Carolina Press. The journal is sponsored by the University of North Carolina at Chapel Hill's Center for the Study of the American South.
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"What Sells Me": Bill Clinton, 1974
From Southern Cultures, Volume 18: Number 3, Fall 2012: Politics
by Seth Kotch
Part of the Southern Cultures series
You can't be defensive about it. You don't apologize for it."This article appears in the Fall 2012 issue of Southern Cultures. The full issue is also available as an ebook.Southern Cultures is published quarterly (spring, summer, fall, winter) by the University of North Carolina Press. The journal is sponsored by the University of North Carolina at Chapel Hill's Center for the Study of the American South.
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The Past, Present, and Future of Southern Politics
From Southern Cultures, Volume 18: Number 3, Fall 2012: Politics
by Seth C. McKee
Part of the Southern Cultures series
The apparent partisan stability of contemporary southern politics belies a complex and dynamic process that makes it doubtful one party can persist as the dominant force in the most diverse region of the United States . . . This truly ain't your daddy's Dixie."This article appears in the Fall 2012 issue of Southern Cultures. The full issue is also available as an ebook.Southern Cultures is published quarterly (spring, summer, fall, winter) by the University of North Carolina Press. The journal is sponsored by the University of North Carolina at Chapel Hill's Center for the Study of the American South.
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On the Temper of the Times: Jack Bass
From Southern Cultures Volume 18: Number 3, Fall 2012: Politics
by Jack Bass
Part of the Southern Cultures series
Of all the women ever romantically linked to Strom Thurmond, none was as deadly as Sue Logue. The judge who sentenced her to the electric chair for murder called her crime 'the most cold-blooded in the history of the state.' This article appears in the Fall 2012 issue of Southern Cultures.
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Southern Cultures: The Memory Issue
by Harry L. Watson
Part of the Southern Cultures series
Personal. Public. Historical. The next issue of Southern Cultures isdevoted entirely to Memory. . .. . . Why We Argue So Much About Robert E. Lee. . . Alice Walker, Allan Gurganus, Elizabeth Spencer, Randall Kenan,and More Great Writers on our Favorite Films and What They Make UsRemember. . . Catfish Hunter: Baseball Legend, Small-town God. . . Life and Times: World War II–Era Appalachia. . . Growing Up in Hot Springs, Arkansas. . . New Poetry from Robert Morgan. . . What To Do About the Thomas Ruffin Statue. . . The Interview: "The Grandmother of Appalachian Studies" on theLong Women's Movement
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Hot Springs, Arkansas
From Southern Cultures, Volume 17: Number 3, Fall 2011: Memory
by Keith Maillard
Part of the Southern Cultures series
Hot Springs, Arkansasby Keith MaillardWorld War II-era Hot Springs is the foundation for this author's story, a tale about his family's crumbling dynamics in troublesome times."'Well, of course I remember Pearl Harbor,' my mother says, the tone of her voice adding,What do you think I am, an idiot? She and my grandmother were working in the shop when they heard on the radio that the Japanese had bombed Pearl Harbor. She was five months pregnant with me. It was a Sunday. They'd never heard of Pearl Harbor."
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Southern Cultures: The Politics Issue
by Harry L. Watson
Part of the Southern Cultures series
In the Fall 2012 issue of Southern Cultures…Guest Editor Ferrel Guillory's special election-year Politics issue features:Five Big Things You Need to Know About the South for this ElectionThe Past, Present, and Future of Southern PoliticsJack Bass on Citizens United, Strom Thurmond, the Southern Strategy, and Jackie OControl of Public Schools and the Politics of DesegregationThe South in the Shadow of NazismDocumenting the Political Immigrant Debate Today Bill Clinton on . . . Bill Clinton. . . and more.Southern Cultures is published quarterly (spring, summer, fall, winter) by the University of North Carolina Press. The journal is sponsored by the University of North Carolina at Chapel Hill's Center for the Study of the American South.
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For the Records: How African American Consumers and Music Retailers Created Commercial Public Spaces
From Southern Cultures, Volume 17: Number 4, Winter 2011: Music
by Joshua Clark Davis
Part of the Southern Cultures series
Record selling certainly had its glamorous moments; retailers could regale younger customers with stories of nightlife and even rubbing elbows with famous musicians and celebrities."African-American owned and operated record stores once provided vibrant venues for their communities, and close to 1000 of these shops operated in the South during their heyday.This article appears in the 2011 Music issue of Southern Cultures.Southern Cultures is published quarterly (spring, summer, fall, winter) by the University of North Carolina Press. The journal is sponsored by the University of North Carolina at Chapel Hill's Center for the Study of the American South.
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Southern Cultures: Southern Waters Issue
by Harry L. Watson
Part of the Southern Cultures series
In the Fall 2014 issue of Southern Cultures…From mullet fishing on Brown's Island to shrimping on the Gulf Coast, from recreation on the Great Lakes of the South to coastal tourism in the Sunbelt and tramping in the swampy lowlands of eastern NC, we take a look at tourism's vital role in regional economies and the challenges of conservation and sustainability.Also in this issue, Andrew W. Kahrl examines the Sunbelt's foundation, "plac[ing] the coast at the center of the story and seek[ing] to understand how beaches came to reflect and influence broader changes in the region's cultures and political economy." Christopher J. Manganiello details the rise of dams on the Savannah River, which now block the migration of shad and sturgeon. "What did the shoals look like when the lilies bloomed?" he asks. "And…what would it be like to witness the great shad migrations and fishing parties of the past?" Ian Draves addresses that question by exploring the Tennessee Valley Authority's impact on tourism, and John James Kaiser chronicles the battle over rate hikes and regulated energy from North Carolina's Southern Power Company (now Duke Energy).David Cecelski's annotated photo essay, "An Eye for Mullet," provides witness to Brown's Island Mullet Camp. The photos, taken by Charles Farrell in 1938, reflect a time when fish dealers in Morehead City, N.C., "loaded so many barrels of salt mullet on outbound freight cars that local people referred to the railroad as 'the Old Mullet Line.'" Bernard L. Herman and William Arnett offer another visual take on water through the work of artists including Lonnie Holley, Ronald Lockett, and Thornton Dial Jr.ALSO! Poetry by Patricia Smith; and a short recollection by Bland Simpson on the swamps of his youth.
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Catfish and Home
From Southern Cultures, Volume 17: Number 3, Fall 2011: Memory
by Josh Eure
Part of the Southern Cultures series
Catfish and Homeby Josh EureAs a Little Leaguer, Josh Eure couldn't hit a lick, but the presence of local hero Catfish Hunter at all the games made even minor victories at the plate worth savoring."Jimmy 'Catfish' Hunter pitched for the Oakland Athletics and the New York Yankees and in 1987 was inducted into the Baseball Hall of Fame-all the while maintaining his small-town farming roots. He played every game with the shotgun pellets from a childhood hunting accident lodged in his foot, and natives imagined he held a major piece of them in his cleats."
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Truth Is Mighty & Will Eventually Prevail: Political Correctness, Neo-Confederates, and Robert E. Le
From Southern Cultures, Volume 17: Number 3, Fall 2011: Memory
by Peter S. Carmichael
Part of the Southern Cultures series
Truth is mighty & will eventually prevail" Political Correctness, Neo-Confederates, and Robert E. Leeby Peter S. CarmichaelWhy do we argue-and argue-so much about Robert E. Lee?"While northerners might appear comparatively apathetic about the memory of the Union cause, white southerners have been tenacious in searching for moral clarity in the past."
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Southern Cultures: Southern Lives Issue
by Harry L. Watson
Part of the Southern Cultures series
In this special Southern Lives issue:* Billy Carter dresses for all occasions.* Virginia Foster Durr opens her home to recently released inmates.* Michael McFee tours the Billy Graham Library.* Septima Poinsette Clark celebrates fellow Civil Rights pioneers.* Albert Murray goes on the record about Ralph Ellison's style.* Margaret Walker Alexander reveals her takes on Langston Hughes, Toni Morrison, and Alice Walker.... and much more.Southern Cultures is published quarterly (spring, summer, fall, winter) by the University of North Carolina Press. The journal is sponsored by the University of North Carolina at Chapel Hill's Center for the Study of the American South.
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Southern Cultures: Special Roots Music Issue
by Harry L. Watson
Part of the Southern Cultures series
The Special Roots Music Issue features:B.B. King on Bukka White's legacy;The Top Ten Folk Singers of All Time;Bob Dylan backstage in '63 and other rare photographic gems; Swamp bluesman Jimmy Anderson's first published interview in the U.S.; Lynyrd Skynyrd vs. the Allman Brothers; Pete, Peggy, & Mike--and all the rest that Charles Seeger gave to the world of music; Willie Lowery--musician, songwriting sensation, and humanitarian; Saxie Dowell, the great saxophonist and war hero; a sneak peek at NASHVILLE CHROME, the sizzling new novel from Rick Bass; and much more. The Roots Music Issue comes with a classic FREE CD full of great roots musicians, including BUKKA WHITE, ETTA BAKER, THE BYRDS' ROGER MCGUINN, WILLIE LOWERY, IDYLL SWORDS, ALABAMA SLIM & LITTLE FREDDIE KING, JIMMY ANDERSON & THE MOJO BLUES BAND, MICHAEL HURLEY, FILTHYBIRD, MEGAFAUN, PRESTON FULP, JOE BROWN, AND MORE OF THE SOUTH'S BEST ROOTS MUSICIANS-old and new. We'll mail the CD separately to our Roots Music e-book customers at no extra charge.Southern Cultures is published quarterly (spring, summer, fall, winter) by the University of North Carolina Press. The journal is sponsored by the University of North Carolina at Chapel Hill's Center for the Study of the American South.
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Bobby Rush: "Blues Singer--Plus"
From Southern Cultures, Volume 17: Number 4, Winter 2011: Music
by William Ferris
Part of the Southern Cultures series
I try to get the people in my hand, for them to love me, and once I get them in my hand, I can then tell them what I've come to tell them. And I come to tell them about the blues. It's just like a preacher."The consummate Chiltin' Circuit performer talks women, finding his crossover audience, and masquerading as two different people on the same stage in one night.This article appears in the 2011 Music issue of Southern Cultures.Southern Cultures is published quarterly (spring, summer, fall, winter) by the University of North Carolina Press. The journal is sponsored by the University of North Carolina at Chapel Hill's Center for the Study of the American South.
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Southern Cultures: The Irish Issue
by Harry L. Watson
Part of the Southern Cultures series
In the Spring 2011 issue of Southern Cultures -- The Irish Issue --Front Porch by Harry L. Watson"The authors in this special issue on Ireland and the South argue that the Irish left an outsized imprint on the cultures of the American South and forged a persistent affinity between Ireland and the South.""A lengthening chain in the shape of memories"The Irish and Southern Culture by William R. Ferris"Irish rockers U2 are committed fans of B.B. King and wrote the song 'When Love Comes to Town' at his request. The song introduced King to important new rock audiences."Tara, the O'Haras, and the Irish Gone With the Wind by Geraldine Higgins"Into the debate about place, race, and the second-best-selling book of all time, we can also bring Irishness."Another "Lost Cause"The Irish in the South Remember the Confederacy by David Gleeson"As there had been only two prominent Irish generals, and only one, Cleburne, had had a very distinguished record, the story of the common soldier was the story of the Irish Confederate."Blacks and Irish on the Riverine FrontiersThe Roots of American Popular Music by Christopher J. Smith"One of the realities of American life is that certain features of African American performance style will remain strange and alluring to those outside the culture. Not least among such features is the making of hard social commentary on recurring problems of life, often through cutting and breaking techniques-contentious interactions continually calling for a change of direction."Smoke 'n' GunsA Preface to a Poem about Marginal Souths, and then the Poem by Conor O'Callaghan"Addressing a jubilant crowd in Belfast shortly after the declaration of the original ceasefire in 1993, Gerry Adams reminded his audience that 'they haven't gone away, you know.' He meant that even as 'the cause' was dwindling, its upholders-'the boys'-were still among us. He might just as easily have been talking about the Klan."
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Southern Cultures: The Photography Issue
by Harry L. Watson
Part of the Southern Cultures series
The Cruel Radiance of the Obvious, The 2011 Photography IssueTom Rankin, Guest EditorOur second Photography issue features full-color photographs by William Eggleston, William Christenberry, and much more.CONTENTSFront Porchby Harry L. Watson"It requires very special talent to make great photographs, and those who have it are among our finest artists."The Cruel Radiance of the Obviousby Tom Rankin"Photography in its finest and most decisive moments is about those tired or ignored or unseen parts of our lives, the mundane and worn paths that sit before us so firmly that we cease to notice. It is, we might say, about rebuilding our sight in the face of blindness, of recovering our collective vision."American Studiesby Michael Carlebach"Many years ago I concluded that for me truth and beauty, and perhaps wit and wisdom as well, are more likely to reside in what is ordinary and seemingly insignificant. This is, perhaps, a sideways look at America and American culture, but it is one that can produce moments that describe us all, but without makeup and bereft of a spokesperson."Mapping The Democratic ForestThe Postsouthern Spaces of William Egglestonby Ben Child"When the color photographs of William Eggleston first appeared at the Museum of Modern Art in 1976, the boldness of Eggleston's palette and his disregard for the conventions of black-and-white photography were shocking; nearly all the major critics were scornful, and Ansel Adams wrote a scathing letter of protest."Stereo Propagandaby Lynn Marshall-Linnemeier"In this examination, magic and myth-two of my favorite vehicles-act as buffers to the dominant power structure. It brings together two bodies of collectibles, one personal and one commercial, with the intent of shifting stereotypes about race and southern culture."Interview"Those little color snapshots": William Christenberryinterviewed by William R. Ferris"Santa Claus had brought me and my sister a small Brownie camera in the late 1940s, and I just loaded it with color film and went out to that Alabama landscape and began to photograph what caught my eye."Heroes of Hell Hole SwampPhotographs of South Carolina Midwives by Hansel Mieth and W. Eugene Smithby Dolores Flamiano"Mieth and Smith shared a belief that photography could bring social change. They viewed Pat Clark and Maude Callen as heroic healers whose stories would inspire racial understanding. Both photographers shot powerful images of the most visceral human experiences: birth, death, sexuality, and disease."Women Workingby Susan Harbage Page"'Rough. It is rough being a female.'"Not ForgottenThe Day Is Past and GoneFamily Photographs from Eastern North CarolinaBy Scott Matthews"'It is in fact hard to get the camera to tell the truth; yet it can be made to, in many ways and on many levels. Some of the best photographs we are ever likely to see are innocent domestic snapshots.'"All eight articles from this issue of Southern Cultures are also available individually as stand-alone ebooks.
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"No Juan Crow!": Documenting the Immigration Debate in Alabama Today
From Southern Cultures, Volume 18: Number 3, Fall 2012: Politics
by Jennifer E. Brooks
Part of the Southern Cultures series
The bill gained quick notoriety for outdoing Arizona, Georgia, and all other states in the restrictions and penalties levied on unauthorized immigrants, as well as on the citizens, community members, employers, and health and law enforcement agencies that assist, employ, or regulate them."This article appears in the Fall 2012 issue of Southern Cultures. The full issue is also available as an ebook.Southern Cultures is published quarterly (spring, summer, fall, winter) by the University of North Carolina Press. The journal is sponsored by the University of North Carolina at Chapel Hill's Center for the Study of the American South.
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Southern Cultures
Winter 2012
by Harry L. Watson
Part of the Southern Cultures series
In the Winter 2012 issue of Southern Cultures…The Great Debate: NASCAR vs. College FootballUndercover: Inside the World of the DebutanteOn the Backroads: Country Stores and the Days of YoreA Look at the Numbers: Race and Region in the American South and BeyondAutobiography: Cotton Milling in Alabama and Understanding Personal Identity in the South. . . and more.Southern Cultures is published quarterly (spring, summer, fall, winter) by the University of North Carolina Press. The journal is sponsored by the University of North Carolina at Chapel Hill's Center for the Study of the American South.
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American Studies
From Southern Cultures Volume 17: Number 2: Photography
by Michael Carlebach
Part of the Southern Cultures series
So often we see photographs of a humorless South, but Michael Carlebach reminds us to smile at ourselves. This article appears in the Summer 2011 issue of Southern Cultures:The Photography Issue.
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NASCAR vs. Football: Which Sport Is More Important to the South?
From Southern Cultures Volume 18: Number 4, Winter 2012
by Daniel S. Pierce
Part of the Southern Cultures series
The outlandish stories of the antics of early stock car racers immediately attracted me. Lloyd Seay and Roy Hall hauling liquor from Dawsonville to Atlanta one night and winning races the next day in the same car; Fonty Flock winning the Southern 500 wearing Bermuda shorts and argyle socks; his brother Tim racing with a monkey-named Jocko Flocko-in his racecar."This article appears in the Winter 2012 issue of Southern Cultures. The full issue is also available as an ebook.Southern Cultures is published quarterly (spring, summer, fall, winter) by the University of North Carolina Press. The journal is sponsored by the University of North Carolina at Chapel Hill's Center for the Study of the American South.
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Every Ounce a Man's Whiskey?: Bourbon in the White Masculine South
From Southern Cultures, Volume 18: Number 1, Spring 2012
by Seán S. McKeithan
Part of the Southern Cultures series
The hot bite of the Bourbon sensuously connects the body of the drinker to nation, region, and locale, enjoining his experience with those of imagined, historical bodies, soaking up space and place in the slow burn of what appears an endless southern summertime."This article appears in the Spring 2012 issue of Southern Cultures. The full issue is also available as an ebook.Southern Cultures is published quarterly (spring, summer, fall, winter) by the University of North Carolina Press. The journal is sponsored by the University of North Carolina at Chapel Hill's Center for the Study of the American South.
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The Day Is Past and Gone: Family Photographs from Eastern North Carolina
From Southern Cultures, Volume 17: Number 2, Summer 2011: Photography
by Scott Leslie Matthews
Part of the Southern Cultures series
Part essay, part memory-this piece finds the perfect form to explore the pictures that might rely most for meaning on the stories that accompany them: family photos. This article appears in the Summer 2011 issue of Southern Cultures: The Photography Issue."'It is in fact hard to get the camera to tell the truth; yet it can be made to, in many ways and on many levels. Some of the best photographs we are ever likely to see are innocent domestic snapshots.'"
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A Natural-Born Linthead
From Southern Cultures Volume 18:4, Winter 2012
by J. L. Strickland
Part of the Southern Cultures series
I would stand outside the mill fence mesmerized by the shadows of pumping Jacquard loom arms on the opaque windowpanes. I had found where I wanted to go. It looked like fun to me. It looked like magic. It didn't take long for that silly notion to be knocked out of my head. But, I persevered and, as the years passed, lint became my life."This article appears in the Winter 2012 issue of Southern Cultures. The full issue is also available as an ebook.Southern Cultures is published quarterly (spring, summer, fall, winter) by the University of North Carolina Press. The journal is sponsored by the University of North Carolina at Chapel Hill's Center for the Study of the American South.
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Stores
Poetry From Southern Cultures 18:4, Winter 2012
by William Harmon
Part of the Southern Cultures series
. . . there's Humphrey pumping drugs all out & sundae soda cracker pop . . ."This article appears in the Winter 2012 issue of Southern Cultures. The full issue is also available as an ebook.Southern Cultures is published quarterly (spring, summer, fall, winter) by the University of North Carolina Press. The journal is sponsored by the University of North Carolina at Chapel Hill's Center for the Study of the American South.
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Mapping The Democratic Forest: The Postsouthern Spaces of William Eggleston
From Southern Cultures, Volume 17: Number 2, Summer 2011: Photography
by Ben Child
Part of the Southern Cultures series
Eggleston, the iconoclastic and colorful groundbreaker, imbues the mundane with vibrancy.This article appears in the Summer 2011 issue of Southern Cultures:The Photography Issue. "When the color photographs of William Eggleston first appeared at the Museum of Modern Art in 1976, the boldness of Eggleston's palette and his disregard for the conventions of black-and-white photography were shocking; nearly all the major critics were scornful, and Ansel Adams wrote a scathing letter of protest."
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Race as Region, Region as Race: How Black and White Southerners Understand Their Regional Identities
From Southern Cultures, Volume 18: Number 4, Winter 2012
by Ashley Thompson
Part of the Southern Cultures series
'You've never been black, have you? No, if you'd been black, you wouldn't ask no silly-ass question like that.'"This article appears in the Winter 2012 issue of Southern Cultures. The full issue is also available as an ebook.Southern Cultures is published quarterly (spring, summer, fall, winter) by the University of North Carolina Press. The journal is sponsored by the University of North Carolina at Chapel Hill's Center for the Study of the American South.
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Southern Cultures
by Harry L. Watson
Part of the Southern Cultures series
In the Winter 2013 issue of Southern Cultures:How did we get here? Lebanese in Mississippi, Puerto Ricans in Orlando, Californians at Black Mountain, Tennesseans in Texas, and a bust of a South Carolinian that ended up in the North Carolina Museum of Art. The Winter 2013 issue tells the stories of southerners far from home, making new homes where they land.Southern Cultures is published quarterly (spring, summer, fall, winter) by the University of North Carolina Press. The journal is sponsored by the University of North Carolina at Chapel Hill's Center for the Study of the American South.