Southern Revivals

The Copeland family of Listre, North Carolina, goes back a long way. Meredith Copeland's father, Albert, keeps a sort of written family record in some notebooks he bought to log the flights of his home-built floatplane, a project Albert first undertook in 1956, when his children were just kids. Now that the kids are grown, Thatcher has a son of his own, Meredith and Mark are back from Vietnam, and Noralee is off dating hippies, the notebooks are thick with the floatplane's failures to lift off and bulging with color Polaroids of the wisteria blossoms near the family plot, favorite family dogs, Thatcher and Bliss's wedding, records of Noralee's height and weight, a diagram of the graveyard, a newspaper story about wild-child Meredith's many backfired schemes. This novel travels back in time more than one hundred years, to the Copeland bride who first planted the wisteria by the back porch that would take over the surrounding woods, and then down to the present again to show how even though times change, people are pretty much the same.

A man haunted by the death of his brother and a forty-year-old secret returns to his Tennessee hometown in this novel by the author of “A Question of Mercy.” A novel of homecoming, loss, and the power of story, “Familiar Ground” follows the return of Jacob Bechner to rural Sweetwater, Tennessee, summoned by Callie, a dying woman nearly one hundred years old. Jacob aims to confront a moment of violence from forty years in his past that cost him the life of his brother Drue. Elizabeth Cox's debut novel, first published in 1984, is about the recurrence of loss in our lives and of the intractability of guilt that must give way for any measure of self-forgiveness. The novel introduces us to a memorable collection of southern characters. There is the indomitable Callie, who has suffered rape and ostracism from the locals; Soldier, a mentally handicapped man lost in his loneliness; Jacob's alcoholic father and gentle mother; his great-niece and-nephew, whom have already known terrible loss in their young lives; and Jacob's steadfast wife, Molly, whose understanding of her husband is upended by the revelations of his past. With sparse prose and an authentic southern landscape and cast, Cox delivered an impressive first novel, the merits of which still hold up three decades later.

Ten humorous, interconnected short stories following three narrators as they learn lessons about life in the North Carolina foothills. “The Night the New Jesus Fell to Earth” was originally released in 1994 and was the first published book from acclaimed writer Ron Rash. This twentieth anniversary edition takes us back to where it all began with ten linked short stories, framed like a novel, introducing us to a trio of memorable narrators-Tracy, Randy, and Vincent-making their way against the hardscrabble backdrop of the North Carolina foothills. With a comedic touch that may surprise readers familiar only with Rash's later, darker fiction, these earnest tales reveal the hard lessons of good whiskey, bad marriages, weak foundations, familial legacies, questionable religious observances, and the dubious merits of possum breeding, as well as the hard-won reconciliations with self, others, and home that can only be garnered in good time. “The Night the New Jesus Fell to Earth” shows us the promising beginnings of a master storyteller honing his craft and contributing from the start to the fine traditions of southern fiction and lore.

These fourteen funny stories tell the tale of a beleaguered boyhood down home where the dogs still run loose. As a boy growing up in the tiny backwater town of Forty-Five, South Carolina (where everybody is pretty much one beer short of a six-pack), all Mendal Dawes wants is out. It's not just his hometown that's hopeless. Mendal's father is just as bad. Embarrassing his son to death nearly every day, Mr. Dawes is a parenting guide's bad example. He buries stuff in the backyard-fake toxic barrels, imitation Burma Shave signs (BIRD ON A WIRE, BIRD ON A PERCH, FLY TOWARD HEAVEN, FIRST BAPTIST CHURCH), yardstick collections. He calls Mendal "Fuzznuts" and makes him recite Marx and Durkheim daily and befriend a classmate rumored to have head lice. Mendal Dawes is a boy itching to get out of town, to take the high road and leave the South and his dingbat dad far behind-just like those car-chasing dogs. But bottom line, this funky, sometimes outrageous, and always very human tale is really about how Mendal discovers that neither he nor the dogs actually want to catch a ride, that the hand that has fed them has a lot more to offer. On the way to watching that light dawn, we also get to watch the Dawes's precarious relationship with a place whose "gene pool {is} so shallow that it wouldn't take a Dr. Scholl's insert to keep one's soles dry." To be consistently funny is a great gift. To be funny and cynical and empathetic all at the same time is George Singleton's special gift, put brilliantly into play in this new collection. George Singleton lives in Dacusville, South Carolina, and teaches writing at the South Carolina Governor's School for the Arts and Humanities. His short stories appear regularly in national magazines--the Atlantic Monthly, Harper's Magazine, Zoetrope, Playboy--and literary journals--the Southern Review, Shenandoah, the Georgia Review, Yalobusha Review, and many others. He is also the author of These People Are Us and The Half-Mammals of Dixie. "This is a South that knows something of suburbia and while the characters may not be in the best circumstances, this is a great new take on the hard-drinking, hardscrabble Southerner." -The Raleigh News and Observer