SUNY series in Hindu Studies

Explores the rich diversity of narratives, rituals, and participants connected with one of the most important celebrations for Hindus in South Asia and in the diaspora. The autumnal Navarātri festival-also called Durgā Pūjā, Dassehra, or Dasain-is the most important Hindu festival in South Asia and wherever Hindus settle. A nine-night-long celebration in honor of the goddess Durgā, it ends on the tenth day with a celebration called "the victorious tenth" (vijayadaśamī). The rituals that take place in domestic, royal, and public spaces are closely connected with one's station in life and dependent on social status, economic class, caste, and gender issues. Exploring different aspects of the festival as celebrated in diverse regions of South Asia and in the South Asian diaspora, this book addresses the following common questions: What does this festival do? What does it achieve, and how? Why and in what way does it sometimes fail? How do mass communication and social media increase participation in and contribute to the changing nature of the festival? The contributors address these questions from multiple perspectives and discuss issues of agency, authority, ritual efficacy, change, appropriation, and adaptation. Because of the festival's reach beyond its diverse celebrations in South Asia, its influence can be seen in the rituals and dances in many parts of Western Europe and North America. Ute Hüsken is Professor and Head of the Department of Cultural and Religious History of South Asia at the South Asia Institute at Heidelberg University, Germany. Her books include The Ambivalence of Denial: Danger and Appeal of Rituals (coedited with Udo Simon). Vasudha Narayanan is Distinguished Professor of Religion and Director of the Center for the Study of Hindu Traditions at the University of Florida. Her books include The Life of Hinduism (coedited with John Stratton Hawley). Astrid Zotter is researcher at Heidelberg Academy of Sciences and Humanities, Germany. Her books include Hindu and Buddhist Initiations in India and Nepal (coedited with Christof Zotter).

Broadens the parameters of religious studies by accounting for material acts that help shape religious worlds. In Material Acts in Everyday Hindu Worlds, Joyce Burkhalter Flueckiger analyzes the agency of materiality-the ability of materials to have an effect on both humans and deities-beyond human intentions. Using materials from three regions where Flueckiger conducted extensive fieldwork, she begins with Indian understandings of the agency of ornaments that have the desired effects of protecting women and making them more auspicious. Subsequent chapters bring in examples of materiality that are agentive beyond human intentions, from a south Indian goddess tradition where female guising transforms the aggressive masculinity of men who wear saris, braids, and breasts to the presence of cement images of Ravana in Chhattisgarh, which perform alternative theologies and ideologies to those of dominant textual traditions of the Ramayana epic. Deeply ethnographic and accessibly written, Material Acts in Everyday Hindu Worlds expands our understanding of material agency as well as the parameters of religion more broadly.

The first in-depth study of the All World Gayatri Pariwar, a modern Indian religious movement. The All World Gayatri Pariwar is a modern religious movement that enjoys wide popularity in North India, particularly among the many STEM workers who joined after becoming disillusioned with their lucrative but unfulfilling private-sector careers. Founded in the mid-twentieth century, the Gayatri Pariwar works to popularize practices inspired by ancient religious texts and breaks with convention by framing these practices as the foundation of a universal spirituality. The movement appeals to science in its advocacy of these practices, claiming that they have medical benefits that constitute proof that rational people around the world should find persuasive. Should these practices become sufficiently widespread, the belief is that humanity will enter a new satyug, or "golden age." In The Science of Satyug, Daniel Heifetz focuses on how religion and science are objects of intense emotion that help to constitute identities. Weaving engaging ethnographic anecdotes together with readings of Gayatri Pariwar literature, Heifetz interprets this material in light of classic and contemporary theory. The result is a significant contribution to current conversations about the globalized middle classes and the entanglement of religion and science that will appeal to anyone interested in understanding these aspects of life in modern India.

Looks at Western understandings of South Asian religions and indigenous responses from pre-colonial to contemporary times. Focusing on boundaries, appropriations, and resistances involved in Western engagements with South Asian religions, this edited volume considers both the pre- and postcolonial period in India, Pakistan, and Bangladesh. It pays particular attention to contemporary controversies surrounding the study of South Asian religions, including several scholars' reflection on the contentious reaction to their own work. Other chapters consider such issues as British colonial epistemologies, the relevance of Hegel for the study of South Asia, the canonization of Francis Xavier, feminist interpretations of the mother of the Buddha, and theological dispute among Muslims in Bangladesh and Pakistan. By using the themes of boundaries, appropriations and resistances, this work offers insight into the dynamics and diversity of Western approaches to South Asian religions, and the indigenous responses to them, that avoids simple active/passive binaries.

Looks at narrative in the history of ayurvedic medical literature and the perspectives on illness and patient hood that emerge. In ayurvedic medical practice, the ways in which and the reasons why people become ill are often explained with stories. This book explores the forms and functions of narrative in Āyurveda, India's classical medical system. Looking at narratives concerning fever, miscarriage, and the so-called king's disease, Anthony Cerulli examines how the medical narrative shifts from clinical to narrative discourse and how stories from religious and philosophical texts are adapted to the medical framework. Cerulli discusses the ethics of illness that emerge and offers a genealogy of patient hood in Indian cultural history. Using Sanskrit medical sources, the book excavates the role, and ultimately the centrality, of Hindu religious thought and practice to the development of Indian medicine in the classical era up to the eve of British colonialism. In addition to its cultural and historical contributions to South Asian Studies, the medical narratives discussed in the book contribute fresh perspectives on medicine and ethics in general and, in particular, notions of health and illness. Anthony Cerulli is Assistant Professor of Religious Studies and Asian Languages and Cultures at Hobart and William Smith Colleges.

Singing the Goddess into Place examines Chamundi of the Hill, a collection of songs that tells the stories of the gods and goddesses of the region around the city of Mysore in southern Karnataka. The ballad actively transforms the region into a land where gods and goddesses live, embedding these deities within the social worlds of their devotees and remapping southern Karnataka into sacred geography connected through networks of devotion and pilgrimage. In this in-depth study of the songs and their context, Caleb Simmons not only provides the first English-language translation of these songs, but brings to light the unstudied folk perspectives on the foundational myth of Mysore and its urban history. Singing the Goddess into Place demonstrates how folk narratives reflect local context while also actively working to upend social inequities based on caste and ritual/devotional practices. By delving into this world, the book helps us understand how a landscape is transformed through people's relationship with it and how this relationship helps build meaning for the communities that call it home.

Investigates the professional practices of astrologers in urban India and their popularity among the educated middle and upper classes. Astrologers and astrology play an important role in Indian society, but there are very few studies on their social identity and professional practices. Based on extensive fieldwork carried out in the city of Banaras, Words of Destiny shows how the Brahmanic scholarly tradition of astral sciences (jyotiḥśāstra) described in Sanskrit literature and taught at universities has been adapted and reformulated to meet the needs and questions of educated middle and upper classes in urban India: How to get a career promotion? How to choose the most suitable field of study for children? When is the best moment to move into a new house? The study of astrology challenges ready-made assumptions about the boundaries between "science" and "superstition," "rationality" and "magic." Rather than judging the validity of astrology as a knowledge system, Caterina Guenzi explores astrological counseling as a social practice and how it "works from within" for both astrologists and their clients. She examines the points of view of those who use astrology either as a way of earning their living or as a means through which to solve problems and make decisions, concluding that, because astrology combines mathematical calculations and astronomical observations with ritual practices, it provides educated urban families with an idiom through which modern science and devotional Hinduism can be subsumed. Caterina Guenzi is Associate Professor at the École des Hautes Études en Sciences Sociales (EHESS) and member of the Center for South Asian Studies in Paris. Her previous books are available in their French editions.

Offers a fresh perspective on the Mahābhārata based on an exploration of its ending, the Svargārohaṇa parvan. This book challenges two prevalent assumptions about the Mahābhārata: that its narrative is inherently incapable of achieving a conclusion and that its ending, the Svargārohaṇa parva, is an extraneous part of the text. While the exegetic traditions have largely tended to suppress, ignore, or overlook the importance of this final section, Shalom argues that the moment of the condemnation of dharma that occurs in the Svargārohaṇa parva, expressed by the epic protagonist, Yudhiṣṭhira, against his father, Dharma, is of crucial importance. It sheds light on the incessant preoccupation and intrinsic dismay towards the concept of dharma (the cardinal theme around which the epic revolves) expressed by Mahābhārata narrators throughout the epic, and is thus highly significant for understanding the Mahābhārata narrative as a whole. Naama Shalom is Assistant Professor in the Humanities Department at Shalem College, Jerusalem.