Zuckerman Bound

The Ghost Writer introduces Nathan Zuckerman in the 1950s, a budding writer infatuated with the great books, discovering the contradictory claims of literature and experience while an overnight guest in the secluded New England farmhouse of his idol, E. I. Lonoff. At Lonoff's, Zuckerman meets Amy Bellette, a haunting young woman of indeterminate foreign background who turns out to be a former student of Lonoff's and who may also have been his mistress. Zuckerman, with his active, youthful imagination, wonders if she could be the paradigmatic victim of Nazi persecution. If she were, it might change his life. The first volume in the Zuckerman Bound trilogy and epilogue, The Ghost Writer is about the tensions between literature and life, artistic truthfulness and conventional decency-and about those implacable practitioners who live with the consequences of sacrificing one for the other.

Now in his mid-thirties, Nathan Zuckerman, a would-be recluse despite his newfound fame as a bestselling author, ventures onto the streets of Manhattan in the final year of the turbulent sixties. Not only is he assumed by his fans to be his own fictional satyr, Gilbert Carnovsky ("Hey, you do all that stuff in that book?"), he also finds himself the target of admonishers, advisors, and sidewalk literary critics. The recent murders of Robert Kennedy and Martin Luther King Jr. lead an unsettled Zuckerman to wonder if "target" may be more than a figure of speech. In Zuckerman Unbound, the second volume in a trilogy, the notorious novelist Nathan Zuckerman retreats from his oldest friends, breaks his marriage to a virtuous woman, and damages his affectionate connection to his younger brother-all because of his recent good fortune.

At forty, the writer Nathan Zuckerman comes down with a mysterious affliction-pure pain, beginning in his neck and shoulders, invading his torso, and taking possession of his spirit. Zuckerman, whose work was his life, is unable to write a line. Now his work is trekking from one doctor to another, but none can find a cause for the pain or assuage it. Zuckerman himself wonders if the pain could have been caused by his own books. And while he is wondering, his dependence on painkillers grows into an addiction to vodka, marijuana, and Percodan. The third volume in the Nathan Zuckerman series, The Anatomy Lesson provides some of the funniest scenes in all of Roth's fiction-as well as some of the fiercest.

In quest of the unpublished manuscript of a martyred Yiddish writer, the American novelist Nathan Zuckerman travels to Soviet-occupied Prague in the mid-1970s. There, in a nation straightjacketed by totalitarian Communism, he discovers a literary predicament, marked by institutionalized oppression, that is rather different from his own. He also discovers, among the oppressed writers with whom he quickly becomes embroiled in a series of bizarre and poignant adventures, an appealingly perverse kind of heroism. The Prague Orgy, consisting of entries from protagonist Nathan Zuckerman's notebooks recording his sojourn among these outcast artists, completes the Nathan Zuckerman series. It provides a startling ending to Roth's intricately designed magnum opus on the unforeseen consequences of art.